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ELIZABETH GILBERT’S MAGIC: RIGHT BUT MOSTLY WRONG

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FEELING AND BEING CREATIVE AT ALL COSTS

Elizabeth Gilbert’s latest easy read bestseller is a strange offering and not quite what it seems. It starts out in true American positive thought style as an encouragement to creative self-expression or actualization, specifically it’s an invitation in the style of fame-avoiding poet Jack Gilbert (no relation)  to find our inner treasures and cultivate “curiosity over fear”. Fear doesn’t like the uncertain boundaries and outcomes of inspiration, so to oppose it is key.

With this the reader is launched upon a sort of everyone’s how-to guide to living creatively and achieving fulfilment citing especially the example of the self-isolating Jack and  a middle aged woman who returns to her youthful love of just skating. But soon the book is morphing into more by way of a guide to inspiration and creativity as exemplified by work and inspiration as it affects writers and artists and Gilbert herself. This is something one feels the book shouldn’t quite do insofar as the ever democratic author would deny that the artist and art is anybody or anything special unless for the sort of committed work involved. So little is what’s special or any big C creativity involved that Gilbert, who says she “cannot even be bothered to think about the difference between high art and low art” (p.120), advises that if you feel like painting a penis on a wall, go ahead and do it (p 88).

Art’s essential normality will even become Gilbert’s pretext to berate writers less successful than herself as complainers or masochists with attitudes that poison the very wells of inspiration they seek to draw upon. Gilbert herself believes true inspiration has a lot to do with just pleasure or fun. While this will always be partly true (the artist needs both to take and convey some pleasure in their work to communicate well) such wild generalizations ignore even the science of recent years. This indicates that beyond any simple self-gratification, artists are differently wired from scientists and have more grey matter (literally not metaphorically) than the average person. It might be wise to allow that artists could have their own purpose and role in nature and life.

In harmony with its title, Gilbert’s pep talk book is also almost a theory of magic and so it is soon maintaining we are visited by ideas with independent consciousness like so many spirits. At one point Gilbert even admits, “I have invisible spirit benefactors who believe in me” (p. 96).  You need to entertain these sources of inspiration or one day they will just wander away from you and, as though offended, won’t return. Practically, the book revives and popularizes something like ancient theories of the daemon and Platonic ideas and archetypes.

In the course of Big Magic there is plenty of sensible advice for creative people like an insistence the artist usually doesn’t need much that passes for higher education today and pursuing which can leave a student with half a lifetime’s debt. The artist needs to live and learn from life except that modern life too often prevents this. Since there are a variety of helpful tips for artists plus Gilbert’s work ethic and history of stubborn persistence are exemplary in their way, I wouldn’t dissuade anyone from reading the book. But they do need to do so critically and with caution. Amid interesting anecdotes and advice there’s much that is  misleading, even seriously so as regards what art is or needs to be and I’ll address especially that…..

GILBERT’S “BIG MAGIC” SURPRISE THAT’S NEITHER SURPRISE NOR SECRET

…. However,  let’s get what the author regards as her crucial magical notion of inspiration out of the way first. What Gilbert has learned is that, as in science which talks of a “multiple discovery” phenomenon, it is possible to find oneself pursuing the same project and even writing virtually the same novel as another writer and at the same time. Gilbert and Ann Pratchett did so on events in the Amazon region. This it seems is part of something larger and terribly occult that we ought to embrace though we can never hope to understand it.

As it happens, what Gilbert describes will not be any surprise to anyone aware of the principle of cycles in astrology. These oversee entire cultural trends and will produce the same styles and motifs that another generation may consider of no interest at all. Thought (and art) is indeed archetypally determined to a great extent. Revivals of interest in certain periods and trends are the marks of a return of a cycle from perhaps hundreds of years ago. This  phenomenon is and isn’t “magical” (you can read about it in detail in culture historian Richard Tarnas’ ground breaking study Cosmos and Psyche, 2006)) and the sub cycles of planetary transits then relate the larger cycles to the development of individuals giving artists their creative and fallow periods; so if Gilbert embraced some principles of astrology she would have clearer understanding in relation to the art and self-expression  that concern her. And then she wouldn’t think of what occurs across time as like “jokes” and tricks of a trickster universe but instead a more ordered programme or fate.

But even subject to the effects of cycles, people pursuing creativity are not necessarily influenced by active spirits or angels as Gilbert so radically has it. In extreme cases this may happen, or at least be thought to happen – we find it in William Blake who claimed to see angels on a regular basis and film director Ingmar Bergman who supposedly had  contact with spirits and demons. At the extreme end of the influence scale it can even be that a generation is inspired or misled by prophets possessed by whatever forces for good or evil. To that extent it is just possible that having opened herself up to everything from yogas to gurus and a fortune telling Bali medicine man, Gilbert herself has finished susceptible to the influence of actual spirits keen to impose on the collective at this time. At least some readers would regard Eat, Pray, Love less as a true guide to self-fulfiment than a siren call to promiscuous spiritual dabbling and unhelpful forms of romanticism. Since I don’t want to get into gossip it’s perhaps as well I forget what feature article I read a  year or more ago (and as I recall from an Australian Buddhist woman rather than an irate American Christian) who considered herself seriously hurt by and disillusioned with Gilbert as person and spiritual guide. Regardless, I think readers should just ignore Gilbert’s theory of inspiration.

ART IS MORE THAN FICTION WRITING

Beyond the whispering spirits one can’t help feeling that Elizabeth Gilbert’s notion of creative activity is considerably shaped by her undoubted talent for fiction and personal memoir. These are nonetheless in some respects the easiest forms of art – sometimes it’s like sitting down and tossing off a vivid, newsy letter or keeping a diary. It’s not identical to the struggles including with special techniques the dramatist or poet may have to wrestle with. Recently I was reading the biography of poet Ted Hughes, husband of poet Sylvia Plath. It soon becomes evident that for both of them capturing and retaining poetic inspiration (an aspect of the ecstatic function) requires rather specific conditions (often in isolation) that are marred or denied by everyday life. It is the rarest of rare poets like Shakespeare who could write poetry almost anywhere and quickly (without blotting a line according to Ben Jonson); but then Gilbert isn’t into special cases, still less genius.

Gilbert  is however an almost addictive writer or note taker in a way many writers aren’t necessarily. It seems that like De Beauvoir her day is dust and ashes when she has not written anything. Fair enough that’s just how she is, but it also the case such writing is effectively therapeutic, for self-expression and pleasure  rather than work or larger purpose, the reason she has no truck with complaining artists. She assumes artists do what they do because they have chosen that path – but if they are differently wired is that quite the case? – so the activity should give them pleasure just as it is without expectation of acceptance, reward or whatever.  If this sounds almost ascetical (and Gilbert even portrays herself as dedicating herself to writing during adolescence like a nun), in fact Gilbert’s outlook can also be almost breathtakingly selfish or self-regarding. “Whenever anybody tells me they want to write a book in order to help other people , I always think please don’t….I would so much rather you wrote a book in order to entertain yourself than to help me” (pp 98,99). For Gilbert there is no such thing as a vocation to write or do art; you don’t write for society, for individuals or a cause; and according to her ultra-American credo, providing you are willing and able financially to support yourself and will be bothering nobody unduly, you are at complete liberty to do whatever you please (including it seems those penis graffiti).

Again this is misleading. A great slice of significant art has been produced in service of some great idea and one can’t begin to imagine the likes of Dante, Milton, Victor Hugo, Dickens unless propelled by a sense of dedicated purpose to inspire, instruct or reform –Milton described the poet’s work as his life blood and did concede that the fame, which Gilbert doesn’t think should count, was some spur to the labour.

It is because there can be this element of vocation or at least sense of inborn necessity among artists, that something like their complaints which Gilbert so radically dismisses, is legitimate. She regards the emphasis on suffering and/or complaints arising from it, to be a legacy of especially Christian and German Romantic values that have allowed artists to carry on as though sentenced to harsh conditions under a cruel dictator (p.117). We can agree with her that there is a kind of artist who imagines if they are not in (or just acting the part of being in) pain, poverty or some dire bohemian situation half starved or their minds half addled by drink or drugs, they are not the real thing – we might call this the Kurt Cobain syndrome – but that’s not the whole situation by far.

MUCH ARTISTIC COMPLAINT IS JUSTIFIED.

It is quite possible, and especially so if you belong to the more vocational type of artist for whom ideas count more than immersion in life’s endless details,  that you may suffer the pain of non-connection and non-communication, feel truly blocked and half destroyed by publishers, critics, society and conditions in general. Shelley protested, “I have suffered the tyranny of neglect” and in the light of history and his biography that seems a fair enough, valid claim. The celebrated Ode to the West Wind was both a protest against and an imaginative effort to oppose what prevents the necessary role of bardic vision going out into the world.

Many artists anyway have plenty of reason for complaint because their conditions and permitted expectations are today often demonstrably worse than the average worker in ways that should not be tolerated in a civilized society. In the very age of grievance culture and stress upon victimhood, Gilbert wants none of it from the artists who might have more than usual reason to voice it. A century ago. Bernard Shaw helped found the Society of Authors to do at least something to improve the artist’s lot. The history of rejected and cheated authors is a long one (even the super-successful JK Rowling was rejected for Harry Potter twelve times). To this day the author will usually receive only a fraction of a book’s takings (somewhere between two and a half and twelve and a half per cent while the often necessary agent of which there are not enough to go round, may take up to 25 per cent). A huge slice of English literature would not exist if it had had to wait upon social acceptance and financial remuneration in the modern way. The likes of Milton, Thomas Gray, Shelley and Wordsworth in poetry had private means. Jane Austen’s prose wasn’t held up on financial problems. The Latin poets from Catullus to Martial were either comfortably off or had helpful wealthy patrons – the perfectionist, slow working Virgil had both advantages.

With or without means, by contrast the modern writer will often have to suffer unacceptably cavalier, dismissive behaviour from those who stand to affect their career and status.  Promises are easily broken, lies are often told, needless delays can be endless, payments not delivered, editors never available to discuss anything,  rules of contract not observed. Any old thing goes. (It’s true nowadays indie publishing is some help and a real alternative but a lot is involved and if only for publicity it is definitely still preferable to be published in the standard way). Much publishing and promotion can be a shark’s pool in which many are destroyed and devoured, feelings, health, the artist’s organization and planning of their life are simply not considered. Therapy itself might be required to cope. I have seen the problem for others, I have known it for myself – the life-destroying, soul-destroying, almost degrading experience of dealing with publishing and agency, is partially recorded in my Reflections of an Only Child. goo.gl/37dUUK

What the conditions of the artist argues for is less the mostly absent virtues of some American, egalitarian, competitive, over worked free-for-all that Gilbert seems to favour, but almost its opposite, a degree of almost elite privilege which would allow more scope to the observation of and experiment with life which art is about. The role of artist beyond the (self) entertainment level has some affinity with that of priesthood. Traditionally and certainly biblically, the priest, supported by the tithes which placed him above mundane concerns, was an individual expected not to compete but rather transcend, to live above ordinary conditions the better to study, observe and pronounce upon life. It was the same Bernard Shaw who helped found the Society of Authors who criticized the American Declaration of Independence declaring its doctrine of equality untrue and misleading. People are born with different and unequal levels of talent and ability  and one should organize society with that in mind.

PRACTICAL ADVICE: AVOID THE ARTS

Knowing what I know, I would never today lend encouragement to anyone keen to pursue a life in writing or the arts – or not unless I had perhaps first read their horoscopes to indicate their chance of fulfilment and success. And what would that entail? Gilbert denies there are any guarantees for success in the arts, but on especially a temporary basis there very definitely are  – with or without major talent and obvious relevance because sometimes, on a temporary basis, even the worst persons and ideas can get away with a few things given helpful celestial indications.

For success in many areas including authorship, one needs to have a strong Jupiter (it bespeaks fortune in general but not least in the realm of publishing and ideas) and something strong to Pluto to empower and relate to the masses. (Who’s Who has been found to be full of Jupiter/Pluto people). Thus in the chart of Alain de Botton who has made hay in the unlikely field of popularized, applied philosophy, we find fortunate Jupiter fortunately trine Mars and the moon fortunately trine Pluto for outreach to the masses. To make it big in fiction, it helps that George RR Martin of Game of Thrones has writer’s Mercury opportunity sextile publishing Jupiter and surprising, original Uranus on a world point (O Cancer). JK Rowling has publishing Jupiter in communicating Gemini, with Mercury spectacularly conjunct fixed star Regulus in Leo (potential mega fame) and Moon conjunct Uranus and Pluto for massive popular outreach. Elizabeth Gilbert herself could hardly go wrong with publishing Jupiter conjunct surprising Uranus on another of the 6 world points at 0 Libra (itself the marriages and relationships sign which is why she has done herself best on that subject).

I will not discuss here my own horoscope and chequered experiences – as said, anyone can refer to my memoir for at least some of the stories,but I will say against some of Gilbert’s claims that fate plays a considerable role in the life of the artist who is perhaps more on the wheel of fortune than most so that the idea one chooses to be an artist or chances to get successful  is controversial. In my own case unusual circumstances  of overseas residence where I was forbidden to take employment, kept me at writing when I would not  otherwise have got so involved. While that is perhaps exceptional and  this isn’t the place for my story, it is the right place to sound warning signals against anything to do with a career in the arts in today’s circumstances. My advice is simply don’t touch it, don’t go near it, but if for whatever reason you must, then feel free to protest your lot and complain loudly. It’s not to be “boring” as Gilbert maintains. If sufficiently organized (but authors and artists fear the black balling which does go on and the effect on media connections too) it might produce some needed reform.

I seriously mean it that the “creative” life usually isn’t worth it in any form today. It can finish like imprisonment or a stay in the mad house, frustrating, exasperating, unprofitable, time wasting and degrading. After years of effort I finally seriously admitted as much  to myself when despite high recommendations  I was meanly refused for Penguin New Poets by one of Australia’s leading poets because I had unpublishably  included “such hopelessly archaic words as ‘conduct’ and ‘bestow’ “. That was the last straw and for more than twenty years I had not the slightest desire to write any more poetry. If that was wasted talent and in my case there is real reason to think so, so be it. Health and sanity are more important.

Paradoxically and ironically, my distinctly negative feelings do in their way, I suppose, lend support to Elizabeth  Gilbert’s notion of creative work today as best thought of as personal entertainment and in effect the therapy she doesn’t call it. However, against Big Magic theories I will always believe creativity involves a higher, more “sacred” function than the play-around materialism of modern life allows it to be. Almost certainly real art and its acceptance now awaits the inspirations of the coming era. For now the arts could be considered in their death rattle.

 

 
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Posted by on January 11, 2017 in creativity

 

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LIGHT ON THE BETHLEHEM STAR/COMET/ALIGNMENT DEBATES

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SOME PEOPLE WILL SAY ALMOST ANYTHING ABOUT THE STAR….

[UPDATE: CHRISTIAN TODAY  BYPASSES INFO BELOW TO FEATURE ARTICLE ON THE B STAR – KNOWN VIA C.S.LEWIS’ NARNIA! bit.ly/2h3AJpS ]

To cut to the chase in this issue, let’s get some things out of the way first. There are some rather complicated and silly theories about the Bethlehem Star that have drawn a lot of attention and even been the subject of films.

One of them wishes to associate Christ’s birth with Jupiter/Venus conjunctions in 3 and 2 BC which if astrology concerned the Magi at all, and it did, would be ridiculous. Jupiter/Venus is about riches, success and the good life, the sort of thing the crucified Jesus denied his natural Jupiterian kingship did not experience; and good astrology is about what is and what will be, not what merely could be. Royal Jupiter prominent would need to suffer modification and challenge from somewhere. This it did from Saturn in 7 BC if one follows the D’Occhieppo/Hughes theory from two noted astronomers that was widely praised in academic circles back in the late seventies and mentioned more recently by Pope Benedict in his The Infancy Narratives (2012) as a plausible explanation of the facts. (7 BC as a birth date is disfavoured by some because it wouldn’t make Jesus “about thirty” at the time of his ministry, but  as ages could be counted in multiples of five 30 could indicate anything from 30 to 35).

Another Star theory from such as Michael Molnar and in recent days the astronomer Grant Matthews, would link Jesus’s birth to planetary phenomena involving bellicose Aries, sign of the outgoing era (incoming was Pisces), a sign with perhaps the least automatic association with Jesus’ life and character. Matthews even seems to imagine the Saturn which is part of his alignment, is a giver of life – hardly the most standard image of Saturn whether ancient or modern. Basically both scientists and conservative Christians are in harmony to wish astrology out of the picture as far as possible…..which only helps to keep the ignorance and confusion going. (The Christians never explain why not even the Essenes and Talmudic rabbis considered astrology “divination” against the Law).

The claims for a comet are more persuasive and I come to that presently, but first for a bit of frank dogmatism.

THE BETHLEHEM STAR DEFINITELY WAS….

As per the D’Occhieppo’/Hughes thesis which I have radically developed and may be said to have completed, the Bethlehem Star itself was Jupiter at 19 Pisces during its second conjunction with Saturn in Pisces in 7 BC….

If anyone could now possibly doubt this after reading the mass of evidence given in my Testament of the Magi, goo.gl/I28aCm for the total pattern that the emphasized, relevant Jupiter oversees, let them get back and tell me. It could be a tough job, one which perhaps especially unbelievers might prefer to avoid altogether rather than tackle for its striking revelations. No other birth data for Jesus can begin to rival it with everything from the Part of Brothers conjunct asteroid James to the natal sun (the core identity) conjunct the Part of Redemption in the case of someone called the Redeemer. Flukes and coincidences can occur to mislead in any research enterprise, but not on the scale I produce. You couldn’t invent it. The picture can’t not be Jesus described through an unprecedented tell-all birth chart (for which of course a godless media and publishing has “no room at the inn” – not so much as an author’s op ed in a paper drawing attention to an historic discovery!).

The data is so efficient it even works, as a true chart should, for Jesus events to this day….it has even been doing so in the last few days with the tiresome intervention of Grant Matthews to distort matters through his suggestions there was no Bethlehem star. It’s a claim advanced just as transiting Saturn (restriction, doubt) makes what’s called affliction square aspect to the Jupiter of Christ’s birth and at that from the organized religions and universities sign of Sagittarius. (So the waters just had to be muddied, and the disproof rather than proofs that too many  now want, promoted by someone from the noted Catholic University of Notre Dame. It was a promotion facilitated not just by the fact Jupiter was approaching the astronomer’s Libran sun but by the fact a fortunate, easy trine of transiting Venus was directing upon the degree of the astronomer’s name, Grant,  itself in Jesus’ horoscope in the house of whatever undermines, as news reached the press on December 2nd. Far from being imprecise, astrology can be all too precise – again, one just couldn’t invent something like Matthews intervention to question Matthew’s gospel).

If, impossibly, the case I make in Testament of the Magi could be wholly disproved, the data would need to be the greatest statistical anomaly of all time to present  quite so much descriptive accuracy against chance.

BUT WHAT ABOUT A COMET?

The question one may nonetheless still ask is: could something else, connected to or additional to the certifiable factors of the birth pattern be involved?

I never particularly wished to associate a comet with Christ’s birth because his birth is “good tidings of great joy” and by tradition comets have always been deemed unfortunate. Colin Nicholl’s The Great Christ Comet, nonetheless argues that the association of comets with misfortune is not an exceptionless universal rule. Since I anyway seek to take the tragedy of Jesus’ earthly life into account (as with Saturn modifying Jupiter) I must accept the possibility a comet could relate to and amplify the picture and I now think it may have done so. A long tailed comet pointed downward might even account for long held and popular notions of some miraculous, independent, brilliant “star” that “stood over the place”. (The early church father Origen did go so far as to suppose a comet).  But “standing over the place” is of course something no comet (or planet) would ever exactly do, though it is how writing and writers of the times would describe things – Josephus had a comet “standing over Jerusalem” before its fall in 70 AD and I think we can assume the Jewish Matthew’s literary style would particularly incline him to make any star or comet something like Israel’s pillar of fire to go before the people.

Apart from the fact the plain sense reading of Matthew’s text has always been taken to support the idea of a star (aster) rather than the kometes word it doesn’t use, one problem with a comet as opposed a star “pointing” anywhere, is if it was very noticeable wouldn’t Herod’s court already have seen it? It would be much easier for Herod to be ignorant of the motions and specialized astrological implications of planetary configurations. That’s why he consults with the Magi rather than just steps outside to gaze at the heavens.  So if it was involved in events, a comet would surely not need to be at its greatest magnitude,  brightest and nearest earth as Nicholl wants to have it. The latter occurred in 6 BC, not 7 BC and it’s by assuming a 6 BC over against a 7 BC birth that I feel Nicholl weakens such case as he has. But I return to this presently.

MOTIONS OF THE ALLEGED COMET

The real problem with Nicholl’s comet which he even proposes may have been the greatest and brightest in history is, did it truly exist? Ironically this is never made perfectly clear amid the often complex data of his academic study, the interviews and reviews (readers who bought into hype about the book’s racy narrative might wonder given the technicalities and learned notes!). All I can say is that even though like most comets, especially the long period ones, it isn’t found in historical records,the comet could still have existed and apparently the Armagh Observatory seems prepared to credit its existence and has “reconstructed” it.

I can’t possibly assess this and I think Nicholl and Armagh need to explain more, plus I do wish that Nicholl, who imagines a Jupiter/Saturnconjunction of 7 BC could have accompanied and  alerted the Magi to the growing comet, would observe some basics of symbolic grammar and logic – it’s inadmissible to think of Jupiter as symbol of “God most high” and in relation to it Saturn as Israel. Jupiter is the younger over against  the Saturnian person or thing that’s elder in time, a son figure as against a patriarchal Saturn, Rome’s Dei Filius, son of God. Regardless……what I can state is that since one can now read what is not supplied in Nicholl’s study, namely the GCC’s supposed motions across centuries according to Swiss Astrodienst, then perhaps the comet was real. If so and I am not then dealing with the few allowable flukes and coincidences that could attend any wide ranging thesis, there does look to be something potentially significant in those motions.

On the day and time I claim Jesus was born, the GCC at 21 Aquarius was conjunct Jesus’ 20 degree all-important Aquarian destiny and reputation Midheaven (itself conjuncted among other things by his Joshua/Jesus name) plus mysteriously too and as though symbolizing some kind of life fulfilment, the GCC was on the precise degree of the Bethlehem Star on the day and time in 30 AD that, in possibly the most remarkable chapter of my book, I show that Christ would have to departed this world. But there’s not only this.

Early December 7 BC is one of the times Nicholl singles out for meaningful but not maximum visibility of his comet. Following David Hughes in assuming that the Magi arrived in Jerusalem in early December around the time of the third Jupiter/Saturn conjunction, (which is to say after Jesus’ actual birth as the gospel implies), I naturally look to see what the GCC is doing around December 5th.

Strangely enough, it is at 14 Aquarius. In my book I point out this could be the most crucial, sensitive degree for the Magi since it’s Jesus’ degree of asteroid Chaldaea (and even on an axis with DavidHughes at 14 Leo who has helped return to us the Chaldaean secrets). Fascinatingly, at the time of the third and last era conjunction on 5th December 7 BC, the transiting sun in Sagittarius (sign of any foreigners and philosophies) was in favourable aspect to Jesus’ 14 degree Chaldaea at the same time as Saturn (the authorities, restriction) afflicted it. Is this celestial shorthand for hopeful Magi arriving and finding trouble and then needing an extra sign? It could be. It’s at least suggestive.

THE GREAT SIGN OF THE WOMAN IN VIRGO

Perhaps because it’s harder to imagine Middle Eastern Magi (who it’s accepted were aware of the special phenomena of 7 BC) being able to predict from and follow a comet rather than the planets, Nicholl wants and needs to associate Christ’s birth with extremely visible, obvious, minimally or non-astrological phenomena in the heavens specifically associated with the constellation Virgo and in especially 6 BC. But to do this he has to assume that Revelation 12’s vision of the birth of a man child is describing the patterns of Jesus’ gestation in the womb and birth itself against the background of the stars. Yet this same apocalyptic vision with its portent in the heavens is supposed to be prophetic, not historic. (I briefly consider this same vision, currently of interest in some circles due to what will be a rare highlighting of the constellation Virgo in 2017, in a recent article The Astronomy and Astrology of Apocalypse: Could there be such? http://wp.me/p2v96G-OA )

Whatever the truth about a comet and the Rev 12 vision, plainly the vision can never, I think, be made to time Christ’s  birth or even just generally accompany it…..unless as regards a paralleling one could factor in one or two other ideas beyond present scope but that concern the prophet Micah’s prophecy of the Messiah in chapters 4 and 5 whose implications Nicholl ignores. This could allow both some kind of delay factor and duplication in the nature of what is seen as being birthed which is not the Messiah only.

Given this modification one could allow that the birth of Christ might still have a connection of sorts to the celestial signs of the Rev 12 pattern……but more as a sign of a whole messianic season than as guide to the precise birth day of the Messiah. This concession would also allow, as I think it should, that the supposed lesser light of the comet in 7 BC at the time of the last Jupiter/Saturn conjunction, can still be relevant. Whatever the comet might subsequently and however spectacularly do, is then seen as part of a more  general visionary picture, even celestial celebration of the incoming era – why, after all,  should only one day alone describe and celebrate a nativity and whole era with all the changes it bring right through to its ending regarding which the pattern might also supply clues.

We are presently at the end of the same era (the Piscean, age of grace, era) the Magi helped signal. I even believe that is why it is now possible for us finally to know the details of what it was the Magi knew and more than they knew. The information is at once historic and prophetic……One could even make poetry out of it….I have done this (adding some extraordinary facts in prose) on the blog The Magi at Era’s End: A Poem http://wp.me/p2v96G-ip

testament1Available in book (and Kindle) from Amazon  goo.gl/I28aCm  and from The Book Depository (UK)

 
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Posted by on December 13, 2016 in astrology, Mysteries, religion

 

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MAD PROPHECY, BAD ASTROLOGY AND THE TRUMP WIN

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A DEVASTATING ASTROLOGICAL FAILURE….MEANING?

I don’t doubt that in especially many American evangelical minds, their prejudice against astrology will seem amply justified by recent events of the presidential election. At one level the prejudice could seem well justified – even devastatingly so.

It’s a fact most American astrologers predicted Clinton would win at the election easily. The LA Times of October 18th reported that a conference at Costa Mesa of hundreds of astrologers (of The International Society For Astrological Research no less!) was unanimous Hillary would win. This was of course only what a blind media (and the polls) almost automatically assumed too in a clear case of people believing what they want to believe. (At a stretch and in mitigation one might say Clinton won the popular vote and certainly those astrologers were right who noting the moon to Neptune factor on the day forecast confusion over the result. But even so).

By contrast, and like some prophet of old, Pastor Saeed Abedini, the long term Christian prisoner in Iran so little helped by the Obama regime, told Huffington Post days before the November election, that while in jail Jesus had informed him Trump would be next president. Ironically the same Huffington Post had even given space to astrologer Larry Schwimmer to detail all the celestial aspects that supposedly showed why Clinton must win against Trump.

For American evangelicals, such devastating failure by astrologers simply justifies Isaiah’s condemnation (Is 47: 13) of stargazing and suggests that astrology when not pure nonsense is a form of the biblically forbidden divination (albeit the Essenes and Talmudists didn’t read their Torah that way and practiced astrology as did the Magi who visited the Christ child). Didn’t Isaiah ironically declare, “Let those who study the heavens stand up and save you, those who gaze at the stars and at each new moon tell what shall befall you”?. So astrology has to be wrong, religiously and empirically, right?…..

CHRISTIAN PROPHETS WRONG TOO

….Despite everything, actually the answer is no. It is so for reasons I will show presently….after immediately mentioning how inaccurate some Christian prophets have also been over the election. In Nigeria a famous preacher and self-declared prophet, TB Joshua, forecast a Hillary win but tried too late to delete it from his website causing public scandal. In America prophet Brian Carn forecast a Hillary win. Prophetically inclined preacher Perry Stone, though hoping for a Trump victory, expected a Hillary win because a prophecy from the thirties from the controversial but often accurate William Branham, foresaw the destruction of America under the rule of a woman.

Still more extravagantly there is prophetess Glenda Jackson, who portrays herself as consistently right (having visited heaven and hell and chatted with St Paul how could she be wrong?!), and due in these her latter days to be made by God like the prophet Samuel. She declared on TV to the hopelessly credulous Steve Roth of It’s Supernatural last April, that there would be no election. There would be crisis in America and Obama would suspend the election and reinstate himself to become America’s last president.

Obama as last and apocalyptic president is itself a claim quite a few would-be prophets have endorsed, some of them following visions in the night reported on YouTube. Some of these nostrums are supposedly released under the direct influence and authority of Jesus and/or the Holy Spirit. Frankly it’s an embarrassment to Christianity and recalls another prophet, Jeremiah, on another subject: noisy, over-active false prophets (Jer 14:14, 23:16) whom God never called.

But it’s no good the kettle calling the pot black. If you abominate astrologers you had better start abominating and weeding out your own prophets. So I repeat the question: is astrology so wrong? I don’t ask here whether it’s theologically wrong (a case for it can always be biblically made no matter what evangelicals claim), but is it just inaccurate nonsense no one in or out of Christianity should consider? What about all the false prediction for Clinton? How ever could this even come about?……

ASTROLOGY RIGHT, ASTROLOGERS WRONG?

……Three points in answer can suffice here:

1) It is always best if an astrologer is an all-rounder and not just a specialist and this means they need to know a bit of history in order to apply their sometimes complex data aright. The Republican party, as a conservative party is linked to Saturn whose sign of rulership is Capricorn. Yet most American astrologers seem blithely unaware of the remarkable historical/astrological fact that since the foundation of the GOP in 1854, every time Saturn has been in Capricorn, a Republican has been president. Saturn though now in Sagittarius will be in Capricorn during any first term of the next president so Hillary was not favoured. I only recently learned this through America myself but it is something especially American astrologers with a grasp of history could and should have known. It’s an instance of astrology being relevant and accurate but astrologers ignorant, rather like the bible true but high jacked by interpreters.

2) Something that almost all qualified, practicing astrologers should be expected to know, is the well-established Grant Lewi theory about the cycles of Saturn. Basically it is that career and success are governed by the 28 year Saturn transit of the natal pattern through its four quadrants. Self and career is made or re-established through the first quadrant and it grows and finds outlet in especially the last quadrant between the 10th and 12th houses. Clinton’s birth time is admittedly disputed, but on the basis that in 2014 Saturn crossed her ascendant according to the most widely assumed birth time and Saturn is thus now in only her first quadrant, she simply could never become president in her lifetime and it was astrological folly to try.

3) If astrologers were abreast of researches as of the Magi Society they would also be aware that even if the aspect is a traditionally easy/positive/fortunate one such as a trine, when transiting Saturn aspects to natal Pluto that marks failure regardless of all else. This is just what was the case around election time for Hillary. Plainly, many like Larry Schwimmer at Huffington did not know this. And almost no one listened to a friend of mine in astrology, Barbara Ybarra of San Francisco, who back in April did forecast a Trump victory on Sacramento’s local TV. She cannily noted a technicality (a progressed moon conjuncting the ruler of Trump’s career Midheaven), affecting the inauguration day as opposed to the election day most astrologers focussed on (1).

(A possible further point to note is that by transit conservative Saturn by election time had   – if one used the most widely used Sibley foundation chart for America – crossed over America’s ascendant into its first house hinting at a new swerve in the body of the people towards a  conservatism desiring to remake America by restoring many traditional values. The shock of this reversal was arguably promised by the way the eclipse preceding the election had closely squared America’s foundational Uranus, the shocks and upheaval factor).

TRUMP’S UNUSUAL CHIRONIC WIN

I was not myself aware of the just mentioned Saturn to Pluto principle and despite success with Brexit, can’t boast I did better than the American astrologers on Hillary, though I have more excuse. I’m not American, astrology isn’t my regular profession to concern myself with the question and I don’t know Hillary Clinton’s birth time – no one seems to which should render any predictions more cautious and provisional.

The reason I slipped over the Hillary forecast was this. Without applying any in-depth study to Trump’s (accurate) chart at all  – not even the asteroids I usually examine which significantly enough show America conjunct Trump’s ascendant – , it didn’t strike me as about to produce any very typical, obvious winning pattern at election time. Jupiter conjuncting Trump’s Chiron, the wounded healer planetoid, a factor to be emphasized again at the inauguration, is rather special and raises all sorts of interesting questions beyond present scope about Trump’s and America’s situation. I merely assumed some tough but positive aspects for Hillary like the mentioned Saturn to Pluto reflected a hard campaign (as was the case) in which the disliked but least opposed candidate (Hillary) was likely to emerge as victor however narrowly. I assumed no easy run or landslide victory and can’t imagine how any astrologer ever would.

I could and perhaps should have applied the Grant Lewi principle I was familiar with, but as said the birth time is disputed. If you don’t know that you won’t measure the quadrants properly. So I have excuses and perhaps the American astrologers could be allowed some….if they hadn’t spoken with such excessive confidence.

As it is, failure of the astrological elite in this instance is rather spectacular. It’s without parallel since the 9/11 disaster which only one astrologer (in The Mountain Astrologer, America’s most intellectual astrological journal) got right according to basic rules that amazingly all the rest seem not to have known or just ignored. Essentially a major eclipse had hit a world point in the sign of America (Cancer) and eclipses are triggered for events when planets go over their degree. Aggressive, bellicose Mars hitting a dangerous eclipse point should produce mayhem the world would hear of. Was it against American positive thought to suggest disaster could occur?

Once again astrology was true enough but the astrologers like the prophets fail…….[ After issuing this blog I have belatedly discovered the case of astrologer GianPaolo DiCoco’s very striking insistence against the astrological establishment that Trump must win – various You Tubes but see  https://www.youtube.com/watch?v=MEtsUkRIOOk ]

BACK TO THE MAGI…..REALLY

All this is troubling if like myself you believe religion is important and astrology carries messages that religion should know and use, not excommunicate as heresy. As the recent election contest has underlined, many Christians want and expect visions, prophecies, special words from the Spirit. Ironically they fail to realize, and could hardly imagine, that the Spirit (long recognized by astrologers as symbolically represented by the planet Uranus) is giving messages all the time through the skies and the same astrology that Uranus “rules”. The Psalms declare night after night gives knowledge (Ps 19:2). Which they do if only attention was paid. So why not “Hear what the Spirit says to the churches” (Rev 2:7) in one of the forms in which the divine will is revealed – even daily revealed? You would need to know and understand about the astrology of diurnals to grasp something of what the Psalms claim about every day of our lives being already written in advance (Ps 139:16).

It is high time and beyond it that Christianity, which is increasingly dismissed as a purveyor of myths, should understand the long hidden mysteries of the Magi, better grasp the historical basis of its beliefs and know for once and for all when Jesus was born. Also when Jesus died and that he died on the cross (an increasingly challenged point) and along the way know whether he married the Magdalene and all such more personal details of biography and character people want to know today.

A modern astrology, especially if it applies the micro-astrology of name, place and concept asteroids and the descriptive factor of the Parts can do these things; and they are now available for anyone to read in my Testament of the Magi. The material, a radical development of the Ferrari  D’Occhieppo and David Hughes theory considered by Pope Benedict as plausible, is as distinctive as a fingerprint for Jesus. It resolves numerous longstanding scholarly problems and popular questions and altogether represents so improbable a discovery – no one could possibly invent all the details – it is as good as unanswerable. Let any who wishes, try to demolish the evidence. I suggest they can’t and won’t…..All the more reason many will try to ignore and pretend the evidence doesn’t exist.  (Testament of the Magi is available at Amazon in book and kindle versions  https://goo.gl/I28aCm

 testament1

That situation belongs with issues of our times. The Trump election has helped highlight just how much information is dominated by political and media elites who don’t necessarily reflect society but do seek to impose their own views. I submit this is one reason my crucial information has not reached the public forum as in justice it deserves. Publishers and media outlets who will give room and voice to the most whacko or negatively undermining treatments of Christianity and Jesus, have proverbially no room at the inn for this information – you are fortunate even to be given a reply to a proposal or inquiry. Sometimes there is a plain uncivil answer or, as recently with someone in religion in Australia’s broadcaster, the person is just too busy to attend to you because they have “more important things” to do…..more important that is than something in its way as potentially significant as the Dead Sea Scrolls.

Basically you are liable today to be treated like a fool if the dogmatic and undemocratic elite doesn’t happen to be interested or in agreement with your views or you are not already a celebrity.

Truth however has a way of ultimately getting out. The material is now available for readers to assimilate, discuss and pass on. You can do your part in making the truth known…if it isn’t and always was so essentially secret it’s a kind of knowledge hidden from the world as St Paul would have it (1 Cor 2:7-8)….Or, as the correctly forecasting Pastor Saeed rather airily said to Huffington Post, “You’re not Christian so you wouldn’t understand”. I’ve certainly encountered misunderstanding enough.

1) Trump’s important progressed moon at inauguration time is interesting and strange like his Jupiter to Chiron aspect at election. Normally, symbolic progressions amplify but essentially agree with transits. The cited inauguration progression is of the winning variety as Barbara Ybarra saw, but at the same time Trump has Saturn transit his natal moon (anything to do with home and emotional tenor) and opposite sun (his will and status in the world). I joked to Barbara that, knowing Trump, if he did win, was inaugurated and entered the Whitehouse under Saturn he could well rubbish his new home declaring it uncomfortably inferior to Trump Tower. That’s surely a real possibility; but I do find the usually depressive, frustrating Saturn/moon transit odd at the point of assuming power. Like the Chiron factor at election, it looks as though hard times are ahead for Trump (and America) and he is taking on heavy Saturnian burdens. Barbara herself thinks the outlook for America in 2017, especially later in the year, is pretty grim and notes the long so-called Great American Eclipse across the US in August hits right on Trump’s ascendant conjunct America. Let’s not speculate…yet anyway.

 

 

 

 

 

 

 

 

 
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Posted by on November 12, 2016 in astrology, religion

 

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AN ASTRONOMY/ASTROLOGY OF APOCALYPSE: COULD THERE BE SUCH?

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ENDINGS AND THE ONE CERTAIN FACT

Nowadays when some sectors of the church are taken up with the subject of end-times and there is an abundance of often fanciful You Tube dreams of alleged apocalyptic relevance, it’s ironic that ignored or dismissed is one of the more solid grounds for declarations about our  times as one of endings.

If there was nothing more to derive from the heavens than one indisputable fact (but I will be considering whether there might be more), there is this. An astronomical/astrological era lasts approximately two millennia. The world stands at the end of the same era of Pisces (the fishes) that was inaugurated around the time of Christ’s birth about which magi (astrologers) knew something – including doubtless that among other things Pisces is a sign of suffering and the martyr. Now, as though something was coming full circle, it’s especially Christian faith (whose original secret sign under persecution was once the fish) is either declining in its heartlands, being persecuted in regions of its third world growth and/or suffering persecution, sometimes even genocide, in Muslim majority societies some of them the earliest homes of Christianity. (Only western secular indifference and PC attitudes affecting media and governments obscure quite how widespread and extreme this situation is).

pisces

In era terms we stand at the equivalent of the final degree of the sign, i.e. 29 degrees of Pisces. That degree conjuncts an evil star long been regarded as one of the worst in the heavens. And suitably, it’s since a total solar eclipse on that degree in March 2015 (and amid a rare and peculiar sequence of blood moon lunar eclipses begun the previous year), that the world as we know it began seriously and more rapidly to unravel. It has been doing so in ways traditionally associated with the negativity of 29 Pisces – drownings, floods, suicides, murders, theft, deception, despair, the victim, the refugee – in short, just the scenario presented by the cruelty and deceit of ISIS, the chaos of mass migration, the genocide of minorities and the natural disasters that destroy whole communities.

As everything returns to the seas of origin and does so with much of the extremism associated with any last (anaretic) degree of a sign, hope among secularists is pinned on a new globalism and among the more religious on some would-be all-inclusive religion. Even the current Pope (himself theoretically the last according to the prophecy of St Malachy) seems to be edging in that direction even while Christians die in ways that recall the first Roman persecutions. Overall there’s little more reigns than last degree, last phase chaos, the confusion and blurring of everything amid which the West’s long standing objective ideals of democracy and free speech are threatened by a weak, confused, largely godless political correctness. And paradoxically the latter often concedes, almost masochistically, to the most extreme of belief systems and customs that can only undermine its own values. (Negatively Pisces is about  masochism and any indiscriminate charity and toleration!).

But serious though it is, does 29 Pisces really bespeak and anticipate the likes of the biblical Tribulation whose occurrence would finish little short of the end of life as we know it? The non astrological answer can be in the affirmative if the times demonstrated a notable continuation of the problems already observed, especially if, like the pattern of natural disasters in recent years, they increased in frequency and/or intensity. That is what birth pangs do and the apocalyptic end is said to be heralded by precisely “birth pangs” (Matt 24:8) at the same time as harmonious with the mentioned situation of Christianity worldwide, a distinct decline in faith, a “falling away” also features  (Luk 18:8), (2 Thess 2:3). But beyond such general indicators, is there, could there be an astronomy/astrology of apocalypse?

The answer is a conditional yes and here’s why.

astroages

THE PATTERN OF THE AGES

Despite what some imagine, astrology is empirical. It looks to what has happened before under certain factors to see if these will be repeated. Needless to say, earth, society or climate-related apocalypse has never happened in recorded history, though great wars and disasters have always occurred. So there’s no single factor can serve as example. All the same, some real sea changes in human history and consciousness do occur with the change of eras following the precession of the equinox, or apparently. It follows one can look at that within the narrow frame of known history as a first point. I’ll summarize about this very briefly before considering how the information might fit in and illuminate other things of our times.

4000 BC to 2000 BC corresponded to the “feminine” age of Taurus the bull whose character as in the development of Egypt’s state cult with its immortality obsessed pyramids necessarily idealized the afterlife and sex mysteries in line with its opposite sign Scorpio. (The character and activities of an era is given by its sign, but its ideals are drawn from its opposite sign, all signs having a positive or negative potential expression-wise).

Taurus was overtaken around 2000 BC by the “masculine” more patriarchal age of Mars-ruled Aries the Ram, an era of Lebensraum wars as in the Bible and concluding in extreme blood baths as of the Roman arena. Aries’ ideals lay in the opposite sign, Libra, sign of Laws and marriage. The Old Testament covenant and prophecy are very much about Law and marriage. The ideals of many societies of the period were enshrined in their laws.

Two thousand years ago the “feminine” sign of Pisces, a sign “ruled” by grace-bringing Jupiter and compassionate Neptune opened to more female values like forgiveness, generosity and service, but its ideals when not focussed on Christ himself (whom there is good reason to believe was born under opposite sign Virgo), inclined ever more to the scientific, analytic and material concerns of this earth sign Virgo as in Enlightenment philosophy under whose values the era is now ending in the West on the cusp of the next individualistic and Utopian Aquarius/Leo age.

The fact that Jesus was born in Bethlehem (house of bread, bread being associated with the wheatsheaf and harvest sign, Virgo), fished with fisherman on Galilee, performed the miracle of loaves and fishes, spoke parables of the great harvest etc, distinctly links him and Christianity to the Pisces-Virgo era.

In effect Jesus belongs to the previous age too. He claims to fulfil its Law and becomes the last sacrificed ram/lamb of Aries and the first “fish” or fisherman of Pisces, resurrected like Jonah who emerges from the whale. To the extent Jesus is self-identified in his body with the Temple (Joh 2:19), implicitly and indirectly he may even be said to relate to the remote, earlier Taurus age because the Temple cannot be founded without the ashes of the red heifer, a creature of Taurus.

So, if anything like this astro-historical scheme is accepted, and undeniably the bible’s “dispensations” of Law and Grace do more obviously connect to the succession of the eras than other faiths (Buddhism is over five centuries out and Islam over six centuries), we can ask another question.  The question is: does the symbolism for the current closing era and then for the succeeding Aquarian era (which biblically would correspond to the  Millennium), betray that these eras are meant to be identified with what is now happening and may soon occur? Does Christ once again straddle the ages and link to the coming Aquarian one? Here are some reasons to think that could be.

STAGES OF RETURN

revelation

Unless many students of prophecy have got it wrong, the Bible appears to divide its end times apocalypse and Second Advent into two parts whose symbolism could be considered striking in context of era symbolism.

Extremely, yet in its way not inconsistently with the extremism of any last degree, there is:

  1. a hidden Return of Christ for the believing prepared (the time when “one shall be taken and the other left” Matt 24:40, often called the Rapture). This effectively delivers persons from the very last trials of the age, namely a Tribulation period under an Antichrist figure.
  2. There is also: an open return of the Messiah to the world that ends the seven year rule of the Antichrist figure and inaugurates the ideal Messianic kingdom.

The first of these endings is evoked and anticipated in Jesus’ apocalyptic parables. These speak in terms of harvest, of prepared virgins/ bridesmaids and the need not to be drunk with the servants etc and so are redolent of key symbols of Pisces and Virgo (both are servant signs and Pisces is often inebriate) and  the whole picture overshadowed by what seems like a sudden great disappearance. Significantly, any state of absence, invisibility and disappearance is associated with Pisces and its ruler Neptune. That would cover for the end of an era in an extreme of its nature.

The second of these scenarios is about almost the opposite, namely a very visible event, sudden and surprising (the other event was that also but under cover of invisibility). This event is compared to lightning going from one end of heaven to the other (Matt 24:27). The image is harmonious with the lightning glyph of Aquarius, a sign ruled by Uranus, planet of the sudden and surprising and the very opposite of hidden. So this bespeaks a sudden and absolute irruption of the new era.

The biblical Millennium is effectively a Utopia, a concept beloved of Aquarians (the word and concept was invented by an Aquarian, Thomas Moore).

What is almost the biblical clincher for the assumption that the age to follow any Piscean breakdown is the Aquarian age and that consequently apocalypse is not to be seen as  in some far distant future or never, is this…..

Whether Ezekiel’s prophecy of the end times, millennial temple is more a symbolic vision of various realities or the forecast of a literal temple, either way the fact is its walls are decorated with figures of cherubim who have two faces, one a man, one a lion (Ex 41:18-19).

This has to be the archetypal man of Aquarius with its opposite ideal supplying sign, Leo, the sign of the lion and royalty. And as Christ is “the Lion of the tribe of Judah” and in specifically the apocalyptic book of Revelation (Rev 5:5) in which he comes to claim his kingdom, once again the messianic connection fits.

THE ALBERT SCHWEITZER MISTAKE

schweitzer

One other piece of symbolism from a parable of Jesus would support ideas that the present Pisces to Aquarius era cross-over could be indicated for apocalyptic events.

There is a theory, popularized by the notable Albert Schweitzer in his The Quest of the Historical Jesus (1906), that Jesus was a failed apocalyptic prophet who wrongly foresaw the end time as happening soon and for his own generation “this generation will not pass away…..(Luk 21:32). One point used to support this hypothesis if anything denies it.

Given various biblical references, the fig tree of the parable is reasonably enough often believed to be Israel, its people and nation. It is when it sprouts forth new buds there will be a generation who sees the apocalypse. Israel at the time of Jesus was not a united people, not a nation, but a divided colony. Israel would not be reconstituted as a people and a nation until modern times.

A biblical generation can be 120 years, 70 years, 40 years of even the 50 years of a Jubilee. The fact remains however that Israel is currently 68 years old from its modern foundation in 1948 (following a UN vote for its existence in 1947). At that rate one could argue, and many now do, that an apocalyptic scenario should begin soon….which if so would obviously associate it with end of Piscean era events.

THE ENIGMA OF THE GREAT SIGN OF 2017

sept23

The following is a peculiar, increasingly emphasized apocalyptic speculation. It does not originate with myself and I have questions about it, but it is appropriate to comment on it here given its unusually astronomical/astrological nature by the standards of those who normally exclude such an emphasis from their prophetic speculations…..

Pointing to a possible apocalyptic scenario and even rather soon, is the unusual astronomical sign of the northern autumn of 2017. It falls around Israel’s Feast of Trumpets (specifically on the autumn solstice which means a world point in astrology) and in relation to the constellation of Virgo. Some believe this rare sign corresponds to the “great sign” (portent) in the heavens of Revelation 12. Whether it does or not, biblically the sign has always invited serious examination. The bible talks about “signs” but not a “great sign” or “portent” in this way that seeks almost to draw attention to itself. And if the skies of 2017 do hold what Revelation might anciently have been referring to, then that pattern is undeniably a rarity not seen in thousands of years.

If there is apocalyptic significance, obviously it could still be a general one rather than the time indicator of a single event.  But it’s a crucial question, one embarrassing even to some of those drawing attention to the portent but who don’t wish to be mere date setters: could the sign really be pointing to a specific event like the Rapture and/or the onset of the Tribulation whose timing it was long thought we weren’t meant to know?

Before proceeding to the sign astronomically, it is necessary to consider its symbolism and why the scenario of Revelation 12, often associated in especially Catholicism with the Church and Marian doctrine, is getting associated today with a more Protestant doctrine like era’s end. The modern take on the sign is if nothing else logical enough.

THE WOMAN AND THE THREATENED CHILD

The given scenario is one in which a crowned woman (clothed with the sun and with the moon under her feet) gives birth to a man child who will rule the world but who is snatched to heaven away from a seven headed, ten horned dragon. The frustrated dragon seeks to devour the woman who flees into the wilderness where she will be preserved for a period half that of the seven year, world-destroying Tribulation.

Tradition has to be wrong about this vision. It is not and cannot be about the lives of Jesus and the Virgin. Jesus is understood to have ascended to heaven triumphantly having conquered evil. He is not described as snatched to heaven to avoid the forces of evil. Mary moreover is widely believed to have ended her days in Ephesus; she did not have to flee anywhere actually or symbolically, certainly not to any desert.

The snatching away however is the same harpazo verb St Paul applies in his epistles to the Rapture/transformation of prepared believers at the Last Trump. The woman therefore ought to be Israel who (in John’s time) has just given birth to the new and persecuted messianic faith (the first Christians were Jews) even if she does not accept it and will therefore experience the end of the era differently from those of the faith. She will not herself be snatched away but will be protected during the time of increasing troubles on earth.

Granted the woman’s “man child” who will subdue the nations sounds as though it could be Christ to the extent this looks to a stated future role of the Messiah (Ps 2: 4-7, Rev 2:27 etc). But since it was early Christian doctrine that believers must share in the rule of Christ over the future kingdom, the man child is better seen as a reflection of Christ, or even his “body”, finally being unified with him in the Rapture/resurrection of the Last Trump.(Elsewhere the church is the bride, but like all symbolism there is a certain fluidity and it is not the church’s devotional relationship to Christ but its role more politically that seem to be hinted at). It is because of this resurrection/transformation that any kind of contribution to organizing the next era in the wake of apocalyptic disasters is possible for anyone other than Christ. (Rev 20:4).

So…is the “great sign” in Virgo something to do with the cut-off event of a Rapture and an end of the age whose absolutely last brief phase is the period of historically unparalleled Tribulation? The main events of Jesus’ known earthly life and the church’s foundation corresponded to or ”fulfilled” the spring to summer festivals of the Jewish calendar. Any future events involving Jesus ought to engage the autumn festivals of which the Feast of Trumpets would be one, indeed the first in sequence.

While as said I don’t consider the 2017 sign, if relevant, has absolutely to time or describe a Rapture event rather than other event triggers to an  endings scenario, if one cares to suppose that it does more or less time such, wouldn’t that anyway just be more of that tired and tiresome “date setting” that flies in the face of all gospel talk like that of Matt 25:15 about not knowing the day nor the hour etc?

trumpets

AN ADVENT MYSTERY HIDDEN IN PLAIN SIGHT?

The surprising, at first sight heretical answer is “not necessarily”  because it seems something very important may have got hidden in plain sight, is encoded and marks something we could usefully be aware of. More than not knowing the day nor the hour, what most of us didn’t know was the Jewish custom and expression that was second nature for Jesus in speaking of apocalypse.

It now looks as though Jesus projected the whole apocalyptic theme upon the cosmos. The Feast of Trumpets was traditionally associated with marriage and the marriage of the Messiah (the Christian “Marriage of the Lamb”). Marriages lasted seven days (and note the “Marriage of the Lamb” occurs during the seven years of end-of-era Tribulation), and the Feast of Trumpets which was the New Year and beginnings festival in the northern autumn, was traditionally a favourite time for unions. The festival lasted across two days from a new moon agreed upon by rabbis who had actually witnessed it with their eyes. It was also customarily never certain when the bridegroom would leave his father’s house for the house of his bride’s parents. Only the father would know  as per Matt 24:36. 

The message appears to be that events like the Rapture and/or the onset of Tribulation could only be associated in any era or year with the new beginnings of the annual Feast of Trumpets. Since the Feast lasts more than a day and, as said, the Father alone knows when the Bridegroom departs for the bride, it’s true that no one could ever exactly know which day or time marriage would take place. But one could know it generally, and St Paul possibly hints (1 Cor 15:52) that its time (somewhere or anywhere in the world but most likely Jerusalem) would be around sundown because “in the twinkling of an eye” can mean that as opposed to just suddenly. The Last trump of many blasts at the festival should be at sundown.

So…supposing the sign in the heavens which perfects on the 23rd of September 2017 (just after the Feast which is slated to fall in 2017 across the 21st and 22nd) is timing, or is forecasting its time as imminent, or is recapitulating as just having occurred, a major event of that season? It’s possible. And if so that could parallel the first advent of Christ which prophetically has a dimension of suddenness and surprise (“and the Lord whom you seek will suddenly come to his temple” Mal 3:1) at the same time as (helped by the book of Daniel) the when of advent was approximately known in Israel which was rife with messianic expectation in Jesus’ lifetime. But now we have to look at the 2017 event itself astronomically.

A SIGN TROPICAL AND SIDEREAL

There are two forms of astrology and astrological measurement: tropical which measure all signs from 0 Aries in any given year, and there is sidereal astrology little used today outside India, which calculates from what is seen against the backdrop of the constellations. In tropical astrology the signs, called after the zodiacal constellations, are measured in 30 degree sectors from O Aries in the northern spring when the sun crosses the ecliptic, a point which very slowly moves backwards against the literal constellations. It is this movement marks the change of era.

The phenomenon of 2017 is basically as follows. There is a constellation of Virgo and below adjoining it are Hydra and Drago which may have some bearing on the idea of the seven headed dragon pursuing the woman, while above Virgo is the regal constellation of Leo.  With its nine stars, though a separate constellation, Leo can if one likes be seen as a kind of crown to Virgo, though more traditionally the star cluster Coma Berenices (Berenice’s lock) is seen as a sort of crown.  (That’s a problem one could have with the 2017 speculation). Every year in northern autumn the sun is at the head over the constellation Virgo radiating or clothing it and the moon by contrast passes at its feet. In 2017 however, transits of the planets will make up the requisite 12 stars to “crown” and radiate the woman while Jupiter will have been in Virgo all year and eventually after a suitable gestation period emerging between the woman’s legs in September. The moon moreover will be in conjunction alignment with a comet, Comet 67p and by tradition comets are not bearers of good tidings, they warn.  Altogether the combination of factors is particularly rare.

This is more impressive sidereally, i.e. visually, than by tropical measurement for which Jupiter is in Libra, not Virgo during 2017 and leaving Libra in October not September – which does not however mean that the tropical picture is still not suggestive of similar issues in other ways.

I have long wondered about the possible significance of late 2017 since among other things I do claim to possess correct data for the Pentecost AD 30 foundation of the church. Within its pattern I have always considered factors such as  the late Libra degrees important as reflecting certain early Christian notions of endings and apocalypse. (End times issues often crop up significantly with the area around 26 Libra. The egregious Harold Camping who poured millions into advertising a false Rapture date, was born with his natal sun in negative square to 26 Libra).

THROUGH A GLASS DARKLY BUT EVEN SO…

Horoscope

Even if you doubt that specifically 2017 and its sign heralds the extraordinary and question if we are quite at the end of an era (despite widespread feeling amid already high stress levels that we surely are), the fact remains that if life is unusually and violently disturbed that situation is not about to improve. From early 2018 the world will begin to feel renewed effects of the historically wars and disasters associated Saturn/Pluto cycle which oversaw WW 1 and 2. It may well oversee WW 111 before decade’s end, even if that doesn’t correspond to the wars of the Antichrist as such. But trouble there will be so that forewarned is forearmed.

Anyone could be more and better forearmed given awareness of matters that inside and outside the churches aren’t known or taught because of a narrow intellectual and spiritual legacy. This is one that despite the Magi at Christ’s birth denies anything can be known via the heavens and astrology (the latter simply the symbolic interpretation of what astronomical data reveal).

If only to avoid embarrassing errors, it is high time the churches became more acquainted with astrology. They should do so not just because from the Magi it is a key to elements of the faith and is not the biblically forbidden “divination” some make it out to be – the Talmud and the Essenes would never had used it if such were the case – but to avoid the exaggerated claims that pass for Christian “prophecy” when celestial signs get treated without context or background.

A chronic example has been the fuss about the red moons. I believe they represent something but only within a larger picture and they could never hope to be sufficiently appreciated without some knowledge of astrology. Indeed, one of the reasons I am prepared to listen to claims re the sign of 2017 is because it’s preceded by what look to be significant eclipses both in their own right and as they connect to certain patterns like that for Christianity’s foundational Pentecost. Also it’s desirable and normal for world shaking events to find some planet or descriptive asteroid on one of the six world points and I find something of that too. One can’t like Biltz, Hagee etc just draw attention to a red moon, declare it a sign and start forecasting. It’s not what the Magi did and it’s not what the astrologer should do today (though some might say almost anything for sensation!). The astrologically illiterate Biltz, Hagee line is little short of the omen astrology (looking at the heavens and uttering as opposed to the study of connecting cycles, degree patterns and symbols) that biblical prophets condemned.

TOWARDS AN ASTRO-THEOLOGY

Some basic knowledge of astrology, indeed the language of astro-theology, would be enlightening and make it harder for certifiably failed prophets like Jonathan Cahn to make sensational forecasts of doom for dates which don’t show the kind of negative potential alleged. The irony however is that the likes of Cahn will still be published, still invited to Christian media channels despite repeated errors, something the bible allows to no self-declared prophet, while by long tradition the astrologer remains the persona non grata, the unbiblical heretic, even the black magician (the early church father, Origen, called the Magi devil worshippers and Bishop St John Chrysostom thought astrology was so evil it would have been better if they had never come to Christ’s birth. Clearly there’s a problem here!)

Escaping Herod, the Magi disappear into the night carrying their secrets with them. At the end of the age their mission heralded, can we finally know what they knew and more that we should know today? I strongly maintain so and because, as T.S.Eliot has it in Little Gidding :

We shall not cease from exploration
And the end of all our exploring
Will be to arrive at where we started
And know the place for the first time.

With the facts, data, interpretations and revelations of Testament of The Magi: Mysteries of the Birth and Life of Christ (none of it so far of any interest to secular media which is ever less Christian and ever more anti Christian), you can go back to Christ’s origins  and then from there through to the present in ways never before experienced. And perhaps, like the wise bridesmaids of the parable, you can more easily keep the lights burning, ready for anything.

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A BOOK: TESTAMENT OF THE MAGI

With this book the mysteries of Magi, the Bethlehem Star and much more are certifiably solved. The data, still working for Jesus issues and events to this day, is fingerprint exact down to the last descriptive asteroid and Part.  The book radically develops a theory about Christ’s birth first proposed in the 70s by a notable Austrian astronomer Ferrari D’Occhieppo and enlarged upon in some aspects by the British astrophysicist, David Hughes. In his The Infancy Narratives (2012) Pope Benedict cited the D’Occhieppo thesis which he thought plausible but wondered what we should make of it. What indeed when the theory was still incomplete?

This book completes the edifice to a point it could not now be improved upon or seriously rivalled….. A big claim but that is almost the problem. Many may  prefer to ignore the evidence simply because it is so impossible to dismiss; and of course within religion let along the secular world, there is a huge prejudice against “astrology” to the point it is almost impossible to be heard. But here is a picture that defies statistical probability, one it that couldn’t be invented. No previous theories work or not sufficiently across the range of issues that must always be addressed in advancing any claim to have discovered the holy grail of all stargazing. Arguably this book belongs to the times discussed in the article above. Secrets of the beginning of the era can perhaps only be disclosed at that same era’s end.

Testament of the Magi is available in book and kindle form at Amazon   goo.gl/I28aCm

 

 

 

 

 

 

 

 

 

 

 

 

 

 
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Posted by on November 3, 2016 in Mysteries, religion

 

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THERE’S NO ALEISTER CROWLEY “LITE”

peaches    crowley

A LEGACY THAT HAUNTS

It is an unpalatable thought, hopefully not true but plausible, that when in 2014 Peaches Geldof tragically died of an overdose of heroin, she could be considered the latest victim to the ongoing influence of Aleister Crowley (1875 -1947), once dubbed “the wickedest man in the world”.

All said and done, there is a trail of persons who have gone mad, finished alcoholic, drug addicted or suicidal in the wake of falling under the sway of this person who taught that “God” could be worshipped including through drugs – which I don’t suggest Peaches was doing. She was trying to escape addiction and had even apparently succeeded a few months prior, but if an addictive weakness was in her, certainly the example and teaching (including that “death is the crown of all”) of the himself heroin addicted Crowley, would scarcely have helped.

And Peaches’ family had been disturbed by the interest that she had developed in this dangerous magus or Satanist whom she told her thousands of Facebook followers was a fascinating person they should study and who wasn’t a Satanist really. Peaches herself was serious enough about Crowley to have had OTO tattooed on her underarm (initials of a sex magic organization associated with Crowley and to which she at one time belonged).

Doubtless Crowley was not the most wicked man in the world the press once said he was if he is judged by the standards of Hitler, Ghengis Khan or Kim Jong-un. But there might still be grounds to regard Crowley as one of the most spiritually evil of persons. Obsessed with apocalyptic themes and imagery from his strange but very wealthy Plymouth Brethren upbringing, Crowley aspired to be the Therion, the Beast, or the Antichrist. He was determined to sin and discover what was the unforgivable sin and commit it.

Crowley might as far as possible be said to have done the latter in especially the course of a blasphemous ritual performed in the desert of North Africa in 1909. There he “sacrificed himself” and invoked the spirit of the depths, Choronzon (traditionally seen as a Devil figure), asking to be possessed by him wholly and by – dangerously in standard magical terms – standing outside the magic circle on the triangle of invocation. The effect of the possession included amid its kaleidoscope of visions experience of thirst and a torment that had Crowley screaming “My God my God why have you forsaken me”. One can of course maintain that Crowley was influenced by biblical sources here, but it is true that a tormented spirit would quite likely be thirst ridden like Dives in Hades in the parable of Luke 16 and realize total separation from God, the ground of Being and the root of the Good. This is what hell is most essentially understood to be and is what Christ is believed to have experienced on the cross.

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Crowley did not, strictly speaking, believe in and acknowledge either God or Satan, so up to a point Peaches was correct to maintain Crowley was not a Satanist. But he scarcely denied it and certainly didn’t mind if people thought he was. He believed in a universal energy and spirits and his “holy guardian angel” that he spared no pains to contact from the outset. Though when he finally appeared this guardian was called Aiwass, he was identified by Crowley as Lucifer in so many words. In effect Aiwass needed to be Lucifer or like him since Crowley was opposed to anything remotely like the God those around him believed in and from which he and they supposedly needed to be delivered. The Book of the Law dictated to Crowley in Egypt by Aiwass in 1904 contains, amid much that seems unintelligible (and which is not even supposed to suffer exposition though inevitably it has done), the dictum most associated with Crowley: “Do what thou wilt shall be the whole of the Law. Love is the Law, love under will”.

The essential meaning is or could be an almost a Jungian one. The person must do what the deep Self demands not what society expects or habit inclines to. And to that extent the saying makes some psychological sense though for Crowley and his followers it seemed to be a pretext for licence in the most damaging of ways. Crowley, himself bisexual and sado-masochistic with it, believed one could and should engage in even the most revolting or violent of experiences and sexual acts, transcending every form of disgust so long as experience was “intense”. Whether Crowley ever did dispose of anyone -it’s a disputed point – he did maintain the highest ritual was the sacrifice of a virgin whose dismembered corpse would be divided up for sacrifice to appropriate gods.

FROM BLACK MAGICIAN TO NEW AGE GURU

If you can manage to separate the man from his profoundly disturbing biography which includes cruel treatment and betrayal of even lovers, helpers and animals, it is possible – just – to arrive at a picture of an individual who amid his unique and highly organized system of magic, authors a sort of philosophy. It’s theory in the style of sometimes Nietzsche, sometimes Jung, a protest against inhibitions with a doctrine of archetypal style forces. It is also almost possible to present Crowley as a kind of New Age guru who generalizes and unifies the religions and mystical systems of the world.

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In the last couple of decades or so, something like this has been taking place. A new Crowley scholarship has arisen which seeks to rehabilitate him as a thinker who, socially, was little more than just an extravagant trickster figure, prankster or actor. Though it’s good and even necessary to have the facts about Crowley, I suggest academe’s makeover is misguided and dangerous. At the same time one recognizes too that it’s almost inevitable due to the all but respectable status Crowley enjoys in influential alternative and rock cultures. A good summary of this is provided in the final chapter of Gary Lachman’s 2014 biography of Crowley. John Lennon, Timothy Leary, Led Zeppelin, David Bowie, Ozzy Osbourne, Iron Maiden, Jim Morrison, Kenneth Anger, the list is a long one for the influence of Crowley, however diluted and “lite”, from the hard core version of the life and practices.

But because rock culture is so all-pervasive, society and belief have anyway become a bit Crowleyized. Frank Turek, author of Stealing From God,[1] has interestingly and meaningfully suggested that at any rate American atheism has almost more to do with sex than unbelief. The new unnamed religion is one of “erotic revolt” of sex and personal rights and, I would add, one in which the quest for truth is reduced to deciding (if one is at all religious) that all systems of religion, mysticism and magic must amount to the same thing anyway. This adjustment becomes easier to make when religious experience becomes identified and over-identified with the effects of the orgasm anyone can experience.

Crowley forecast that sex would be the downfall of Christianity and it must be admitted against a too easy acceptance of Turek’s position, that this is somewhat true and Christianity does have some responsibility for what has happened in making deity seem unattractively enemy of all eros. It is not simply that the faith has been unnecessarily narrow and oppressive in its approach to some subjects like homosexuality, but it has ignored or suppressed the more esoteric and “tantric” aspects of the Judaeo-Christian heritage present since the Song of Solomon. (Rabbi Shmuley Boteach, has in recent times been exploring this in works like Kosher Lust and The Kosher Sutra. I have myself written Solomon’s Tantric Song [2]. There are things to examine and reclaim).

However, even if there have been sone failures, they don’t need and can hardly afford Crowley’s radical cures. Yet as indicated, a lot of modern western spirituality New Age and other, by osmosis and default is increasingly a diluted version of Crowlianity. His age of Horus, the crowned child –  the puer archetype at its most anarchic one might say and Lachman more or less does say – is where a lot of the West is now arrived at.

Another Crowley dictum is, “Let there be no difference made…..between any one thing and any other thing”. Despite Crowley’s often fascist, aristocratic individualism, this is an idea that belongs to modern sex rights based less on what is appropriate than what makes merely equal; and a consequence of that emphasis is the increased difficulty of, or just refusal to allow for, a hierarchy of values and thus to perceive any real distinction between good and evil, beautiful and ugly, liberating and merely addictive. Queer theory for example ditches the ethical question entirely, any ethics being purely collective and political rather than personal.

In theological terms Crowley is not really about “sin” but more like the “iniquity” associated with idolatry – in Crowley’s case involving a worship of self that never really seeing beyond itself cannot repent of its wrong within the larger framework of existence. Again modern attitudes and slogans (like post Christian feminist Mary Daly’s “Sin Big”) which don’t believe in saying sorry to anyone for anything, belong with a measure of Crowleyanity. (I have written of Mary Daly, another out of control Libran, as something of a milder, female version of Crowlianity) [3]

THE BIRTH PATTERN THAT TELLS TRUE

crowleychart

All this is mainly by way of an introduction to examination of those features of Crowley’s birth chart which I believe show him to be the real thing, the kind of seriously dangerous person and false prophet he was originally and more correctly perceived as being.

In astrology the sixth house of a birth chart represents anything to do with sacrifices and magic rituals. Suitably Crowley’s Mars, ruler of his Aries Midheaven of career and reputation, is in this relevant sixth house. With the Part of Occultism also in this sector, what he called Magick (his term for sexual magic) would be his career; but it would also be a lie. Veritas (Truth) and Devience (Deviance) are conjunct in opposition to Mars.

The fact that Crowley anyway shows an afflicted Jupiter (register of truth) through an opposition to Neptune, itself describes either a liar or at least someone who has difficulty with getting truth and the facts right. An afflicted Neptune is anyway virtually standard for any addictive tendencies, so Crowley (like Peaches Geldof) had it, in his case and because Jupiter is involved the addiction could be extravagant and philosophically justified, while afflicted Neptune’s lack of boundaries invites to and often accompanies bisexuality. It would however especially do so in Libra where boundaries between I and Thou are anyway at their weakest. Crowley’s Jupiter, itself at 7of the sex sign Scorpio, makes close exact easy trine to a 7 Cancer Hekate, the witchcraft and magic asteroid in the hidden unconscious twelfth house, the clearest of indicators for Crowley’s Magick as sex magic.

To all intents and purposes Crowley was a Satanist. Suitably, Lucifer falls in his ninth house of religion and philosophy on the super wretched chaos degree of 29 Pisces on an axis with Samadhi at 29 Virgo (theoretically highest bliss for yoga but deemed a confusion prone asteroid by astrologers). This pair in turn make tension square (90 degree angle) to a conjunction of Rabelais with Lie. It is with Renaissance writer Rabelais’ Temple of Thelema and its “Do what you will” that Crowley’s doctrine has affinity.

But perhaps most significantly, Crowley’s Venus at 24 Libra, the sign ruled by Venus, is in direct square to Theotes (Godhead) at 24 Capricorn. Crowley is of course very against Jesus, this again reflected in the tense square between Isa (Ar Jesus) at 12 Pisces to Malin at 12 Sagittarius, the devil as darkness rather than Luciferian light. This still isn’t all. The truly awful asteroid Vipera at 18 of Sagittarius (the religions and philosophies sign) conjuncts Drago (Dragon with its suggestion of the book of Revelation) conjunct the Part of Faith and Religion in square to asteroid Spirit at 17 Virgo. It’s a combination which might even be involved with the desire to commit the unforgivable sin.

Born under Libra, sign of Laws, it was in Egypt that Crowley received his Book of the Law. Significantly Aigyptos is same degree conjunct Malus (bad) on 1 Capricorn and from there in easy trine to Achristou which seems to function as the Antichrist asteroid. Crowley was himself initially shocked by some of his book’s declarations and for long tried to ignore them.

The book nonetheless proclaimed him prophet of the Age of Horus, the crowned child. Fascinatingly, asteroid Horus at 9 of royal Leo conjuncts Crowley’s rising 8 degrees of Leo and Horus is trined by Childe from 11 Aries in the house of religion.

Conjunctions are very pro or con something and the accuracy of the chart is certified by the way that asteroid Yeates (asteroids follow a sound sense vibe and hence this is Yeats) conjuncts the 16 Aries Midheaven to the degree. The poet Yeats was opposed to Crowley and their notorious argument caused The Society of the Golden Dawn through which Crowley had first learned and risen in magic to be closed down.

Although Libra is the sign of marriages and unions, Crowley’s relating was particularly dreadful. He sought whores of Babylon as partners and they were liable to be used and abused, a situation reflected in Babylon at 25 Aries opposite his natal Venus. His relating otherwise is reflected in a coldly independent Saturn in Aquarius in the seventh of unions where it conjuncts the Part of Treachery, well reflecting the incredible ruthlessness towards partners and supporters.

I mentioned the rite Crowley undertook in North Africa. This occurred December 6th 1909. There is as Lachman says, no causal connection (and not a notable astrological one that I see unless of the transiting sun conjunct Crowley’s Malin) between that and December 6th 1969. The latter date is however when a Hell’s Angel murdered a youth at a concert of the Rolling Stones at Altamont in California. It occurred at a time when the Stones had been familiarizing themselves with magic under Crowley devotee, film director Kenneth Anger. After that they were not so keen and Sympathy for the Devil was less heard and sung.

That event, the death of Peaches and so much more could be taken as a warning not to mess with the occult and not to elevate Crowley into some kind of deeply knowing spiritual guide nor to dismiss him as just an interesting trickster, an English eccentric, in the way that too often happens today. Both approaches are wrong.

1) http://www.christianpost.com/news/americas-fall-away-from-god-more-about-sex-than-unbelief-christian-author-frank-turek-says-170860/

2) Solomon’s Tantric Song, goo.gl/sU21My

3) See. Temple Mysteries and Spiritual Efficiency, Chapter 8. Mary Daly’s Occult Voyage goo.gl/Xi1jv8

 

 

 
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Posted by on October 20, 2016 in Mysteries, religion

 

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A PICTURE OF ITALIAN LIFE AND MIND

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A STELLAR ITALIAN CASE

Italians have never needed much encouragement to believe in a wisdom of the stars, but if you want to prove astrology to the average layperson today, arguably the best and easiest way is via the new study of asteroids. One scarcely needs to know or understand astrology to absorb their evidence. Asteroids truly help describe not just persons but even the characteristics and concerns of nations and peoples.

I will demonstrate this through the fascinating case of modern Italy which became a republic after being a kingdom on 10th June 1946 (at 6 pm in Rome) thus finally realizing earlier nationalist aims begun by Mazzini in the nineteenth century. Italy is an ideal test case because it has an abundance of asteroids that can be applied to its pattern and famous figures. But in a few paragraphs I shall first set the scene by briefly describing salient features of the nation’s chart from the traditional standpoint that emphasizes planets and houses and against whose pattern the asteroids appear and interact with such great descriptive accuracy against chance.

italy

Italy’s sun resides in the sign of Gemini, the Twins and division. This reflects how ever since Romulus and Remus there has been something of a civil war or at least competition taking place through the Italian peninsula. City has been against city, north against south, the Papal states against the rest. Even Italian art is a story of many rivalries between artists. But Gemini is also the sign of language and the late achieved Italian nationhood would entail imposition of a single language upon the peninsula’s numerous dialects. Even before nationhood, the country’s Renaissance was itself very much a linguistic revolution dependent upon the discovery and translation of ancient texts. Nationhood finally settled upon a language, one based on the Florentine employed by the Gemini poet Dante. Gemini is also the sign of the hands and no country in the world has more by way of a language of signs through the hands.

The national sun is conjuncted by the natural ruler of futuristic Aquarius, Uranus, a pointer to independence even to the point of anarchy, originality and the periodic flashes of a Renaissance type genius. The national sun is in the eighth house of secrets and the hidden, of sex, death  – Italy loves big funerals and has drivers with something of a death wish! –  shared resources and debts. Italy is full of secrets and has been home to a variety of secret societies and financial scandals. Yet most things will surface and become visible eventually. With the sun and all the planets in the upper half of the birth pattern, the nation is essentially extravert, ideas and feelings are demonstrated and shown.

Self-image, image before the world, national mythos and the body of the people will nonetheless all be described by the first house with its rising/ascendant sign. This is Scorpio, typically the sign of sex, death, mysteries, the occult  (Renaissance magus Marsilio Ficino was a Scorpio) and mega power. Positively this has something to do with Italians feeling themselves to be inheritors of the Roman empire which bore its power across the world beneath the eagle of Scorpio. Italy celebrates the traditional birth of Rome under opposite sign, Taurus, but the long lasting empire was of the Taurus/Scorpio axis.

Scorpio rises at 17 degrees to define the first house, but the national moon representing emotions, home, women and mothers falls behind the ascendant angle at 4 Scorpio somewhat obscured in the twelfth house of dreams, films, loss, the unconscious and mysticism. With the moon here, home has something private and absolute about it and might actually be lost (as through massive emigration and natural disaster) while women could be seen as the great mystery and/or a notable sex object especially in this also films-associated sector.

The most personal emotions run deep and strong and could at worst be vengeful (the Italian vengeance drama is celebrated) and despite popular ideas about Latin temperament,  Italians are not wholly spontaneous – Italian watcher John Hooper even writes of “the people who don’t  dance”, (they don’t just jump up and down like Spaniards to express joy, they prefer a little more dignity and calculated effects). Scorpionic Italy can be serious and it’s obviously the Italy of Mafia and ecclesiastical mysteries, the shadowy and at times coarser and angrier side of an otherwise physically and temperamentally bright and polite society, indeed so bright many might doubt intense Scorpio could ever possibly rise and assume the defining role it does.

scorpio

The seeming contradiction of a national brightness hiding an also essential dark is due to the exact aspect of a genial Jupiter at 17 Libra to the 17 degree Scorpio ascendant angle. Added to which the national Jupiter is in a robust fortunate trine aspect to the 19 Gemini national Sun. Jupiter in Libra aspecting both ascendant and sun and from the eleventh sector of friends, hopes and wishes, bespeaks style, refinement, optimism, the arts, l’amore, a disinclination to fight, elements of dolce vita, a certain will to be happily idle (dolce fa niente) and both to establish and ignore many laws. Italian-American Heritage month falls in Libra’s month, October. This Libran Jupiter is definitely a major key to at any rate the most visible and popular side of Italian character and culture.

By contrast, it’s not the eighth house that carries the sun nor the eleventh that carries Jupiter but the ninth house of beliefs and religion which contains Jupiter’s opposite: serious Saturn. It’s a planet without natural affinity for the house (Jupiter is the ninth’s natural affinity). Its position bespeaks especially Catholicism as bastion of order and tradition not to say some ongoing national difficulties with, even cynicism around, an often politicized religion which via the Great Mother sign of Cancer inclines to Marian devotion. Catholicism is Roman Catholicism, and anticipating the concern here with the asteroids, it is noticeable that Saturn aspects Romulus, builder of Rome’s first temple. Only because Jupiter (whose highest octave is religious and philosophical)  is so strong in the national chart does Italy work with the Saturnian nature of the predominant faith to the extent it does.

The ninth house always covers aspects of a nation’s legal profile, especially its judges. Saturn here points to the notoriously slow dealings of the national legal system and its relative ineffectiveness in punishment of crime, a situation helped by the mentioned Jupiter in Libra, sign of laws, which in its negative expression can simply inflate the number of legal dealings at the same time as it may indulgently permit too many loopholes. Close to Saturn from just inside the previous eighth sector, Venus’ conjunction to Saturn signals various things, including that love/eros in Italy is related to a few mama mia complexes (the phenomenon of mammoni sons) rather as in Israel Venus in Cancer bespeaks some yiddishe momma issues. However, three planets in Cancer  including quick witted, inventive Mercury and within conjunction of a world point (0 Cancer) and then with even Essen (Ger.food) in the sign, clearly announces the importance of food and dining for the entire culture and its world fame besides.

Finally I note that the celebrated drama and grandeur of Italy, the tendency where possible to build a palace rather than a house, a cathedral rather than a church, is linked to a Leonine factor. Both Mars and Pluto fall in Leo in the ninth house, Mars being within conjunction of a destiny, reputation and leadership related Midheaven angle also in Leo – big building Mussolini was a Leo – and conjunct the fixed star Regulus, a bestower of honours and fame. More could be said, but this is enough to supply the main features of the chart in traditional, planetary terms.

SEEING THROUGH THE ASTEROID WINDOW

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Although as in striking instances given presently a national chart will recapitulate a cultural past, obviously it describes what is developing at the time of birth. For Italy this was the nation’s new expression in 1946 as a republic; any asteroids in the first house of image and mythos are therefore significant for that. The chart affirms the republican ideal whose chief founder and exponent was if anyone Giuseppe Mazzini (1805-1872). Accordingly asteroid Mazzini rises in the first house at O Sagittarius, sign of theories and ideals and he is followed at 6 degrees by Unitas the principle beloved of nationalist theory. This pair have been preceded at 23 Scorpio by Verdi, whose operas early functioned as a national unifier. His chorus of the Hebrew Slaves in Nabucco, rapidly became an anthem for the national independence and unification movement now finding new expression. But Italians are anyway a people who sing – of freedom, love or whatever. Asteroid Chant (Fr. Song) rises behind Verdi at 5 Sagittarius close to the Unitas the nation desires and from where it makes almost to the minute perfect aspect to a 5 degree Libran Neptune, ruler of anything musical. In short, it’s a signature for a people of opera in their past, present and future. Monteverdi with whom opera seriously begins, rises just within the first at 15 Sagittarius.

Even so, the rising Scorpio that defines the first house surely puts its stamp on the whole by the way it contains asteroid UmbertoEco, author of the complex murder mystery, The Name of the Rose rising at 28 Scorpio (and even in trine to asteroid Rosa in the eighth house of death!). Below him, still just within the first house and reflecting an image some have of Italy less as home of the cheerful enthusiast than the radical cynic or even nay-saying melancholic behind the smiles, is a conjunction of Renaissance philosopher Machiavelli with tragic, Romantic era atheist poet Leopardi at 12 and 13 Sagittarius respectively.

As stressed, modern Italian identity is unusually based upon discovery and imposition of a language. Language and writing are related to the third house whose affinity is with the third sign, Gemini. It’s surely against chance that we find in precisely this house asteroid Manzoni whose classic novel The Betrothed, virtually established what form Italian must assume, namely an updated version of the Florentine Tuscan dialect employed by Dante. Dante’s crucial move to use the vernacular rather than Latin was anticipated by St Francis of Assisi who wrote poetry in Umbrian. If Francis can stand for St Francis (and he likely should since there is no other asteroid could be used and he widely conjuncts Clara besides), then Francis is just within the third house at 27 of original Aquarius . From there he also opposes the Midheaven of any national leadership which for such an anti-establishment figure seems correct.

There are two other points of relevance in this third house. Though late developed, Italian is one of the Romance languages whose roots are in Latin. So we find asteroid Roman is strong and pointing to novelty at 0 Aquarius in this house of language. Interestingly too its cusp is conjuncted by Pinocchio, a book which though now internationally famous as a child’s fairytale, some consider to be something of an adult’s fairytale that portrays important elements of the national character.

Sometimes obviously, sometimes subtly, national pictures will recapitulate cultures and character (a principle wonderfully exemplified in the chart for modern Israel whose Solomon is conjuncted by The Part of Wisdom). For Italy what may be the most striking case is how asteroids Dante and Vergilius form conjunction in the eighth house at 25 Gemini. The conjunction is remarkable seeing that, as is well known, Dante employed Virgil as his literary model and spiritual mentor who conducts him through Hell and Purgatory, Virgil’s Aeneid itself having conducted its readers to Hades. Both poets fall in the eighth house which can cover for any debt, death, hell and transformation issues. Yet neither asteroids are in the house of national language with Manzoni. But again, and remarkably against chance, at 25 degrees they are making exact quincunx aspect (150 degree ) to Manzoni and a meaning of that aspect is “adjustments must be made”. Precisely adjustments are what Manzoni would deliver in forming modern Italian out of the tradition of Dante.

Due to the great amount of information available, for brevity’s sake I shall select and divide up material into three sections 1) politics and the land, 2) art and creativity 3) Philosophy, Faith and Values.

POLITICS AND THE LAND.

land

The enduring division of Italy along with its mafia and secretive side is well reflected in the way Puglia (a major underdeveloped region of the south at 18 Virgo is in direct stress square aspect to the national sun. In rather the same way Sicilia (Sicily) at 4 Leo is in exact stress square to the nation’s Scorpio moon. This suggests the island’s long history and cultural identity is at risk of being undermined by hidden forces, not least because at 27 Scorpio, Palermo, a major centre of Mafia, makes stress square to the Midheaven of leadership and destiny – the government can be beholden to hidden forces! Italy’s Gemini sun “rules” the Leo destiny/career/leadership Midheaven, but Gemini itself being a mutable sign, this potentially encourages frequent changes in government and leadership following 1946. Although no asteroid for South exists, the long standing North/South tension seems reflected in the way that asteroid Nord (North) at 17 Taurus exactly opposes the national ascendant, in some respects an opposition to the general interest, the body of the people at large.

There is no asteroid for Milan unless Mediolanum, its Latin name, but this happens to be both in semi-sextile aspect (often deemed a financial aspect) to Nord from 18 Aries and in opportunity sextile aspect to the native sun. So Milan can drive the necessary economic machine but not necessarily to the benefit of the South. At the same time Milan/Mediolanum is perennially a, or the, major creative hub of Italy in arts, science, industry and also religion – even western Christianity as exemplified by Roman Catholicism was largely formed by Ss Augustine and Ambrose working in ancient Milan in the century after the Edict of Milan had made Christianity legal. Suitably Augustinus at 19 Leo in the religion house sextiles the national sun at 19 Gemini and trines Mediolanum at 18 Aries a sign of Augustine’s enduring influence on attitudes and policies.

The fourth sector of any chart is the place of origins, ancestors, home and its territory, the land itself. Italy’s origins house contains Italia at 0 of oceanic Pisces. This seems relevant to being a largely sea-girt peninsula much of whose traditional wealth derived from sea trade. Within the same house is Roma at 13 Pisces, an indication Italy is the descendant of imperial Rome. (The great classicist Petrarch called his homeland of many warring states Italia simply because the Romans once called the peninsula by that name). The more specifically Christian legacy is represented by San Pedro at 23 Pisces. Here St Peter is not simply a forefather in faith but one who gives his name to an actual piece of land as far as St Peter’s basilica and the related Vatican territory is concerned and so, unsurprisingly, San Pedro trines the crucial religion house Saturn, a suggestion of Papal states or property. With Aquarius (accidents, surprises) on the fourth cusp exactly opposed from fiery Leo by Vesuvius (itself loosely conjunct Etna), some disposition to natural disaster seems to attach to the land and at any time Italy might come to an end it would likely be through fire, quake and volcano.

ART AND CREATIVITY.

boccaccio

Anything to do with the arts, especially visual arts, is associated with Venus. There is accordingly significance in the fact that Venus at 21 Cancer (the chief sign for painting) at the end of the eighth house is bracketed by Saturn at 23 Cancer in the ninth of Religion and Vaticana in the eighth of shared resources at 19 Cancer. What all this means is that the artists and their art will have a special relation to the church as patron and also to the ancient classical world (Saturn) drawing upon its traditions and ideals. Since however the eighth is the house of eros, it follows sex, or at least the sensuous, will colour the arts in everything from the way that the artist’s mistress might portray a Madonna or the baroque style engage sensation.

Creativity itself is generally of the fifth house so it seems relevant that within it at 19 Aries is asteroid Imago with its implication – despite Dante, Verdi et al including the novelist Moravia whose asteroid falls on this degree, – for the supremacy of the visual in Italian creative endeavour.

There are obviously lacunae, but many names in Italian art and music have their asteroid. One would need a very thorough knowledge of art and biography to interpret each position, some are clearer than others. Asteroid Bernini at 6 of original Aquarius connected by trine to Neptune (any dreams) at 5 Libra marks the sculptor who more than any other realized the beauty of motion and dream in marble. Michelangelo, all of sculptor, painter, poet and architect, is in the house of destiny and reputation as undoubtedly one of Italy’s most completely iconic figures at 14 Virgo from where he connects by trine – just – to another Renaissance genius, Leonardo at 16 Capricorn. The latter’s rather unexpected sign and position (second house) likely reflects the heavy scientific input (Capricorn) to his work and his concern with money and pay for his work (second house). In terms of real connection however, through their work on St Peter’s it is notable that Michelangelo connects to High Renaissance architect Bramante by semi-sextile (a meetings/connections aspect) at 13 Leo.

If Italian painting may be said to begin with Cimabue and Giotto, then that seems reflected in the way that at 0 and 11 of Gemini respectively this pair introduced some of the realism, humanism and expression of this mutable sign away from the pure fixity of the Byzantine art of icon and mosaic which has more natural affinity with the previous sign of “fixed” Taurus.

Overall, like Michelangelo and Leonardo, leading Italian artists tend to take the middle degrees of a sign from around 13 to 18: Leopardi 13 Sagittarius, Vivaldi 14 Gemini, Monteverdi 15 Sagittarius, Puccini 16 Aries, Fellini 17 Cancer, Botticelli 18 Aries. If they don’t there’s some reason like the brilliant but unfortunate Tasso at 24 of shocking Aquarius in the writing house opposite Mars, an aspect involved with the misfortunes of his madness and painful dealings with authorities. Rebel and virtual criminal Caravaggio at 9 Taurus is almost predictably in exact stress square to the power and religion factor of Pluto at 9 Leo in the religion house. Raphaela (originally asteroids were registered in female form) conjuncts the leadership Midheaven itself conjunct the star of fame, Regulus. This has to reflect not just Raphael’s extreme popularity internationally (reproductions of his Sistine Madonna in so many Catholic homes), but the unusually easy favour he enjoyed as an artist with precisely the papacy and leaders. (No asteroid I know of for Italy or elsewhere covers for Pope or Papacy unless at 17 Aquarius for Italy and 19 Capricorn for the Vatican it’s possibly the father asteroid Abbe,  a matter that may become clearer over the next couple of years as Italy and Vatican undergo distinct challenges).

Still more descriptive is Petrarca’s 23 Aries in the creative fifth house in tense square to Catholicism’s Saturn at 23 in the religious/philosophical ninth. This suggests the poet’s controversial Christian humanist theory against late medieval religion that Christianity in some respects continues and fulfils the classical world, a theory that helped facilitate the Renaissance synthesis. By contrast Petrarca trines Ungaretti at 23 Sagittarius. In the last century Ungaretti reformed Italian poetry (towards Modernism) as Petrarch in his generation helped reform poetry through especially the Sonnet form.

It could be harder to understand why Pavarotti (in stress square to Verdi !) and Paganini are in the “religious”  sector, but as that house also covers principles (philosophy) this may be pointing to questions Pavarotti’s personal life and career raised (including as regards the commercialization of opera), while the dissolute Paganini was always seen as evil and believed to have sold his soul to the devil, a question for religion, certainly. An odd ball heretic philosopher who likewise raised questions for religion, Giordano Bruno, makes his way into the ninth via the Giordano asteroid. Paganini was heterosexual, but if so many notable culture heroes like Michelangelo, Leonardo, Botticelli, Donatello and more recently such as Visconti, Versace, Zeffirelli and Pasolini have been gay this must be referred to the national sun conjunct Uranus. A symbol at one level of intellectual brilliance and difference at another, Uranus often points to homosexuality. The Renaissance was born in the exceptionally gay-friendly Florence while only today more information is emerging about the practice of same-sex marriages in Renaissance Rome. Definitely Italy is not to be described through Casanova (though for better or worse he is so iconic he does make it like Michelangelo to the tenth sector of national reputation).

What is most distinctive about Italian art of all kinds is a certain urge towards the ideal and beautiful. This is supported by especially two factors. First that asteroid Bella (beautiful) at 16 Gemini is conjunct the national Uranus (its genius, the exceptional) at 17 (and more loosely the sun at 19) and then trine Jupiter at 17 of Libra, the often artistic sign of good form and balance. La bella figura is what Italy and Italians seek to present. They will also speak la bella lingua. Beauty rules and also poetry, or at least the poetizing of things because Poesia at 28 plus of Pisces is within conjunction of the 0 degree Aries (a world point) cusp of the fifth house of general creativity (and any love affairs….and yes, Italy does have Amor in the house!). This is beauty that can go international and which in modern times would spawn a major fashion industry. However, the Bella word and concept unusually defines the ethics of Italy almost replacing the ethical with the aesthetic judgement.  E bello, (it’s beautiful/lovely) also means it’s good within a language where bueno (good) as in buongiorno is not that strong. And this leads to the final and most complex issue of what Italians really think and believe. It’s a fascinating subject in which my observations are influenced by two notable recent studies, John Hooper’s The Italians and Tobias Jones’ The Dark Heart of Italy (broadcaster and journalist Jones is a Scorpio with his sun conjunct Italy’s moon –he can tell you a few things!).

PHILOSOPHY, FAITH AND VALUES.

aquinas

The chart shows two forms of Italian philosophy. With Philosophia conjunct the Italian sun, arguably the core philosophy may be simply the Italian way of life itself. Formal philosophy however is represented by ThomasAquinas at 19 Cancer exact conjunct Vaticana which last still pronounces under that philosopher’s influence which in some respects means under the influence of Aristotle too. The universe of Dante is set out and judged following certain ethical principles of Aristotle which don’t in all cases correspond to either biblical or common sense. Aquinas also had a strong line on beauty but associated it rather with the intellect and recognition of harmonies than the senses as such.   Dante would famously declare  “beauty awakens the soul to act” .  If what’s good is assessed against what looks good, (or even measured against abstract reason and the intellect), can what’s right be quite known? The spirit which is unique to humans as opposed to the soul (biblical nephesh which even animals possess in order to exist), may need more than beauty. Warning signals against recourse to the easy subjective aesthetic judgement is supplied in the way that Italy’s Lucifer (the devil as light) at 17 Cancer makes exact semi-sextile, a meeting aspect, to precisely Bella and exact easy trine to the imagination-defining ascendant.

A hint that Italy might actually be somewhat confused about good and evil is offered by the conjunction in the philosophy sign Sagittarius of asteroids Goode at I degree and Veritas at 2 degrees, with Malus (Bad) at 1 degree. Conjunctions are very for or against something, a mark of harmony or conflict depending – here it’s clearly conflict (in the way that Plato and Boccaccio conjunct at 29 Cancer are like reason against instinct, gay against straight etc!). Further confirmation of some conflict and confusion is given by the way Christen (Ger. Christians) at 8 Leo in the religion house makes easy trine to Malin (the devil as darkness)) at 8 of religion/philosophy sign Sagittarius. Apart from the fact that this likely reflects how it is in Italy exorcism has been revived and is more taught and used among Catholics in Italy than anywhere, it also implies it might be easy to deceive Christians about what’s right and wrong in and out of religion. Like Pinocchio’s nose which grows with every lie, untruth is perhaps one of the greatest problems for Italy compounded as it is, to follow Hooper, by a tendency towards free flowing fantasy, not necessarily malicious but which can make up reality as it goes. The same kind of extravagance can cast so many veils over the facts you may never quite get to the bottom of any major scandal or crimes as Jones demonstrates – even history with its facts is called storia in Italian!

The crucial influence of untruth whether deliberate or more fanciful, seems shown by asteroid Lie conjunct Christian strong on the descendant angle directly opposing the rising – the body of people, their image and mythos. Since conjunctions are very harmonious or conflicted, this could mean either there are too many Christians who lie, or more likely that from the seventh house of war and peace the Lie is the great enemy of national life so that Christians need to fight its power, though they will put themselves against the body social if they do so, much as those who fight the Mafia have their problems.

What do Italians really believe? It’s an intriguing question. Hooper cites statistics which reveal Padre Pio (no asteroid) is vastly more prayed to than Jesus and even the traditionally favoured Virgin. Maria at 20 Cancer conjuncts Venus at 21 and thus she haunts the imagination through numerous images everywhere displayed and sold throughout Italy. Years of life in Italy persuade Jones that Italians are so concerned with the saints, relation to God hardly exists. It’s almost too democratic! If so, again our data provide some clues how and why this situation comes about. With asteroid Credo in pragmatic, conservative Capricorn in opposition to the Venus/Saturn conjunction associated here with Catholicism, it looks as though Italians are liable to be challenged by and will sustain a love/hate relation to Catholicism, but we can go a bit further…..

rome

Asteroid Theotes (God or Godhead) is caught in one of those conflicted conjunctions, this time at 13 Sagittarius with virtual and actual atheists Machiavelli and Leopardi; but from the struggles of this bed of doubt it makes a trine to Isa (Ar. Jesus) at 14 of regal Leo in the religion house. It’s a connection which would support all and any Christ the King type images. Otherwise, and influenced by ubiquitous images of crucifixion and pietà, Jesus gets associated almost more with death than life. Indeed, what regularly functions as the Christ asteroid, namely Christa (traditionally most asteroids have been registered in feminine form), is found conjunct Requiem in the death house in the sign of the mother, Cancer – clearly a signature for the widespread pietà and Stabat Mater images! Despite this and suggestively, the asteroid Spirit does conjunct Christa possibly reflecting traditions like that of Gioacchino da Fiore who looked towards a Christian age of the Spirit.

I subscribe and for empirical reasons to the view that in their highest octaves the three outer “generational” and “spiritual” planets (Uranus, Neptune and Pluto) symbolize the persons of the Trinity in any strictly religious frame of reference with Pluto symbol of the Creator/Father. Suitably for a Catholic nation, Pluto in the religion house stands in one sense for God. And since Pluto is also Italy’s chart ruler (because Scorpio rises) God rules or at least haunts the people’s mind as ultimate Plutonic power or fate. But Pluto does not connect with Theotes, rather it’s conjunct two asteroids, Fantasia and Aristoteles (though that is meaningful as I will indicate). In similar non-connection, neither Jesus nor even Maria feature as notable figures in terms of actual salvation – asteroid Salavat (Ar. Salvation) at 4 Leo is unrelated whether to Jesus or Mary and is in stress square to the national moon. Relations with God are liable to be  left to the mystics; and given Amor in the fifth of love affairs in aspect to the Plutonic deity symbol, this love can finish unusually sensuous as in the case of Blessed John of Verna who kept kissing and being kissed by Jesus or Angela of Foligno whom the Holy Spirit assured her she was more sweet to him than any in the vale of Spoleto!

Harmonious with the bureaucratized nature of Italy, the intercessor figure tends to be one to whom one takes petitions rather than relates more spiritually. Despite the suggestively spiritual Logos conjunct the verbalizing national sun, Italians are more a people of the image (Imago) than the book. Religious cultures of the book are more inclined to approach faith in terms of paradox and the interaction of persons and minds following narrative account of salvation history. Noticeably, one of the two bible asteroids Biblioran (Old Testament) from 19 Sagittarius opposes the national sun and Logos.

If today the saints still assume importance and are even what the national religion is largely about, it is not simply because they are the natural extension of a traditional Marian devotion. It’s rather more because common images of God render their involvement almost imperative. With God conjunct Fantasia, deity can receive some of that fantasia highlighted by Hooper. There can be all manner of popular speculation on the character of the divine; however and more officially, the image of deity remains essentially that of Dante via Aristotle, i.e. the Unmoved Mover with which the Paradiso ends. Dante’s God is “love”, but with it he scarcely any prophetic, biblical or paternal deity to oversee or interact with history or know “every sparrow that falls”. That’s more for his servants the saints! And Dante’s souls, saintly or otherwise, are such free agents it is effectively they, not God, who choose, and very largely work out, their own salvation, without any suggestion of Pauline predestination involved. Ironically it’s the classicist Petrarch who is in some respects more Christian than Dante, God being addressed by him as Father.

stars

There is so much material to detail and interpret where Italy’s chart is concerned that one must leave it incomplete; but it is appropriate to do so where Dante leaves the Paradiso, with a declaration before ultimate mystery and pointing to the stars. Except that in this instance we could cite the biblical statement. “The night skies utter knowledge” (Ps 19:2). It has never been very clear what this means, but while scientists and even religious authorities unite for their different reasons to dismiss astrology as any proper study, I suggest that especially the new micro-astrology of asteroids brings us nearer to understanding what night skies uttering knowledge is likely to mean.

 
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Posted by on October 3, 2016 in Uncategorized

 

IS THE PATRICK PROPHECY FOR IRELAND ENCODED?

irish-flood

THE ONGOING MYSTERY OF AN ANCIENT FORECAST

A net article recently caused me to recall something long forgotten, namely that St Patrick and also St Columba are supposed to have forecast the flooding of Ireland before “the last day”. To the extent that geographically Ireland is something of a bowl with its interior bog lands near or below sea level I suppose a great ocean flood was never impossible. (The above picture derives from records of the rather ghastly floods of 2015) . But a wipe out? Does this mark just fantasy or spurious prophecy?

For little more than idle amusement I switched on the 1949 foundation chart for modern Ireland to see if there was anything remotely suggestive of such a fate. I was surprised by what I found. Might the ancient prophecy be encoded there? In this instance you don’t even need to be an astrologer to appreciate what I saw and form your opinion.

A nation’s destiny and reputation is linked to its tenth house. In Ireland’s tenth sector sits Neptune, planetary symbol of any floods. This Neptune is then conjuncted by the asteroid Fini (French for finite and finished) and Fini is meaningful. It was for example definitely involved in the sudden unexpected retirement of Pope Benedict.

I then observe Neptune and Fini exist in tense axis opposition to the asteroid Flood. This in turn is in exact degree aspect to Oceana (ocean flood?). Perhaps more significantly Flood is closely conjunct asteroid Atropos. Though astrologers don’t often speak of it, it’s generally accepted nowadays that Atropos is much involved in highly fated events and death patterns. And then the Flood/Atropos combo is in exact so-called stress square to the drowning asteroid, Ophelia, itself in a water sign (Cancer) in Eire’s death house.

The fourth sector in which Flood/Atropos are placed represents the nation’s land and territory. Also its weather conditions and any places of ending like graves. Its cusp is exactly conjuncted by Patrice. There is no Patrick or St Patrick asteroid but Patrice is French for Patrick. So might this encode Patrick speaking for the nation’s endings?

WHAT WAS THE SAINT THINKING AND WHAT SHOULD  WE?

If Patrick ever made the forecast attributed to him, we may well ask what he meant about an event seven years before “the last day” and with a disaster deemed a favour. It looks like his scribes or those who remembered him had insufficient knowledge of “the last things”.

It looks as though Patrick believed Ireland would disappear before the so-called Tribulation or Revelation’s seven year rule of the Antichrist which itself is not, strictly speaking, followed by “the end of the world”. It would simply be the end of the era. Christ’s advent destroys the rule of the Antichrist and inaugurates a millennial rule through Israel. It signals neither the end of the world nor the Last Judgement, only the end of the world as people at the time would know it and a judgement of nations only – if such occurred within our times plainly it would correspond astrologically to the end of the age of Pisces which Christ’s birth introduced.

St Patrick evidently thought if Ireland drowned (and tsunamis would involve almost instant death as flood walls hit) that this was a deliverance of sorts from the pains of the Tribulation period with its temptations to take the damning “Mark of the Beast”. The fact that the mentioned Patrice makes exact tension square to Achristou, an asteroid I’ve long found associated with Satanism and Antichrist themes, could just encode such a train of thought.

NOT TO FORECAST BUT…

No astrologer in their right mind would or should forecast such extreme events as the Patrick prophecy envisages. The most they might affirm is that various time periods exist that held potential for heightened danger.

However….for those who crave a frisson and would wish to relate the whole idea to our times, one can state this much. The late Catholic Seeress, Jeane Dixon, celebrated especially for forecasting JFK’s death, claimed to have had vision of the birth of the Antichrist – she even maintained the entire purpose of her life and gifts was to receive especially that vision. Undeniably the birth pattern for the time was both unusual and suggestive.

If Dixon wasn’t deluded and the person of her visions happens to exist, then I would  be confident he must greatly advance and almost certainly appear before the world in late 2017 or early 2018. If not then, never, since there would be lesser opportunity before he was too old to make sufficient, persuasive impact. But the same kind of eclipses and transits that favour Dixon’s false prophet  – one of them hits on Ireland’s Saturn – bespeak some difficulty for Ireland. Difficulty and stress, certainly, but that’s not the same as saying certain wipe out!

I am thus not prepared to forecast that 2017/2018 marks Ireland’s final rendez-vous with destiny, but having said that I retain the suspicion that the Patrick forecast could actually be encoded for Ireland and manifest some day.

[ This article was proposed to a couple of leading Irish papers earlier this year when I was visiting Ireland. Both refused. I believe this belongs to the rabid, dismissive secularism of the new Irish elite which has no time for even just mysteries ; also a kind of parochialism which no longer considers the Irish diaspora has any use or meaning and can be safely ignored ]

 
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Posted by on September 24, 2016 in Mysteries

 

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